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Contributors
Aaron Bihari illustrated both Drugs from Worms and It’s All in the Numbers. He was born in New York City and has lived in various locations around New England, Brazil, and Canada. He studied physical theatre, playwriting, contemporary dance (for the degree), and contemplative arts, and has worked as an actor, librettist/lyricist in musical theatre, information architect at web firms, art director at a small
publishing house, and freelance designer. After years on these paths his secret desire to draw pictures and explore colour,
pattern, and texture all day is no longer such a secret, and he has now become an illustrator.
<www.aaronbihari.com> <www.i2iart.com>
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Dina Goldstein photographed Bernard Crespi for the cover. She has photographed for almost every Canadian magazine, shoots advertising campaigns, and is always working on her own personal projects. Most recently Dina has been working on a series called Fallen Princesses due to be exhibited at the prestigious Buschlen Mowatt Gallery in fall 2009. See more of Dina’s work at
<www.dinagoldstein.com>.
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Gordon Price, who wrote Vancouverism vs. Motorodom, is Director of the City Program at Simon Fraser University (<www.sfu.ca/city>). In 2002 he finished his sixth term on Vancouver City Council. He also served on the board of the Greater Vancouver Regional District and was appointed to the first board of the Greater Vancouver Transportation Authority (TransLink) in 1999. Gordon is also a regular lecturer on transportation and land use for the City of Portland, Oregon, and Portland State University. He has written several extensive essays on Vancouver and transportation issues. <www.pricetags.ca>
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Barry Shell wrote Drugs from Worms. He is research communications manager in SFU’s Faculty of Applied Sciences and is a freelance science writer specializing in high-tech topics. He became involved in the Internet as soon as it appeared and created one of the first web sites to popularize SFU research. In 1995 Barry created <www.science.ca>, which is now the top Google hit for Canadian science. He has written four books and has done freelance science reporting on CBC radio as well as in numerous magazines and newspapers. His most recent book, Sensational Scientists, profiling 24 of Canada’s greatest scientists, won a national book award in 2005.
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Stirling Ward MPA, M.Photog, F/PPABC, shot the iconic Vancouver cityscape used in Vancouverism vs. Motordom. He is an internationally renowned commercial photographer with a long list of awards and accreditations, including being named photographer of the year by the Professional Photographers of Canada. He has also received the Professional Photographers of America Art Director’s Choice Award of Excellence. His work was recognized with a nomination for a Cleo Award in New York City and his photographs are in the permanent collection of both the Kodak Pavilion at Epcot Center and the National Archives of Canada. <www.stirlingward.com>
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Photography: Aaron Bihari by Joanne Watkins, Diane Goldstein courtesy Dina Goldstein, Gordon Price courtsey Gordon Price, Barry Shell by Greg Ehlers / LIDC, Stirling Ward courtesy Stirling Ward.
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