SCFC786

Russian Cinema: Freedom and Restraint

Russian cinema

Despite—or because of—revolutions, wars, and severe censorship, Russia has produced some of the world’s most original and powerful cinematography. Through the eyes of the camera and of those uncompromising artists who stood behind it, we will look at facets of Russian society, politics, and culture.

Our survey will take in several major directors from Russian film history, from the daringly experimental 1920s to our own time. We will analyse films in connection with selected great themes of Russian literature and cultural history: evil, death, redemption, love, war, patriotism, and fate. Among the directors we will consider are Sergei Eisenstein, Andrei Tarkovsky, and Mikhail Kalatozov.

Please note that enrolment in this course is reserved for adults 55+.

This course is available at the following time(s) and location(s):

Section Session(s) Date/time Campus Instructor(s) Cost Registration
SCFC786-VA1137 6 Van Marina Sonkina $104 Register

What will I learn?

Tentative screenings

  • Sergei Eisenstein, October (1927) and Ivan the Terrible (1942)
  • Mikhail Kalatozov, The Cranes are Flying (1957)
  • Andrei Tarkovsky, Andrei Rublev (1966)
  • Sergei Paradjanov, Ashik-Kerib (1988)
  • Ron Holloway, Paradjanov: A Requiem (documentary, 1994)
  • Andrei Kravhuck, The Italian (2005)

How will I learn?

  • Lectures
  • Discussion (may vary from class to class)
  • Film clips
  • Papers (applicable only to certificate students)

Who should take this course?

This course is for anyone who is interested in learning about the history and development of Russian cinema.

How will I be evaluated?

For certificate students only:

Your instructor will evaluate you based on an essay you will complete at the end of the course. You will receive a grade of satisfactory or unsatisfactory.

Textbooks and learning materials

Reading material (if applicable) will be available in class. Some course materials may be available online.

Suggested reading

Andrei Tarkovsky, Sculpting in Time: The Great Russian Filmaker Discusses His Art, trans. Kitty Hunter-Blair (1986; Austin: University of Texas Press, 2003)

Jay Leyda, Kino: A History of Russian and Soviet Film (1960; Princeton University Press, 1983)

If you're 55+, you may take this course as part of

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