Women and Comedy: History, Theory, Practice (Farleigh Dickinson University Press, 2014)
Edited by Peter Dickinson, Anne Higgins, Paul Matthew St. Pierre, Diana Solomon, and Sean Zwagerman
Women and Comedy: History, Theory, Practice presents the most current international scholarship on the complexity and subversive potential of womens comedic speech, literature, and performance. Earlier comedy theorists such as Freud and Bergson did not envision women as either the agents or audiences of comedy, only as its targets. Only more recently have scholarly studies of comedy begun to recognize and historicize womens contributions toand political uses ofcomedy. The essays collected here demonstrate the breadth of current scholarship on gender and comedy, spanning centuries of literature and a diversity of methodologies.
Through a reconsideration of literary, theatrical, and mass media texts from the Classical period to the present, Women and Comedy: History, Theory, Practice responds to the historical marginalization and/or trivialization of both women and comedy. The essays collected in this volume assert the importance of recognizing the role of women and comedy in order to understand these texts, their historical contexts, and their possibilities and limits as models for social engagement. In the spirit of comedy itself, these analyses allow for opportunities to challenge and reevaluate the theoretical approaches themselves.
Peter Dickinson is a professor in the School for the Contemporary Arts and Director of SFU's Institute for Performance Studies.
Anne Higgins is a retired associate professor of English at Simon Fraser University.
Diana Solomon is an associate professor of English at Simon Fraser University.
Paul Matthew St. Pierre is a retired professor of English at Simon Fraser University.
Sean Zwagerman is an associate professor of English and Associate Dean of the Faculty of Arts and Social Sciences at Simon Fraser University.