Co-chairs: Sue Rowley (University of BC) & Eric Kansa (University of California - Berkeley, School of Information)
Selected Activities and Output:
• Development of a webinar on key issues and concepts related to the WG theme to be showcased at the 2011 Mid-term Conference, encouraging other WGs to utilize this mode of creative discussion;
• “Remixable Cultural Heritage: The Promise and Problems of Open Data, and Radical Transparency for the Past on the World Wide Web,” a presentation by Kansa at the May 2011 “Why Does the Past Matter?” conference of the UMass Center for Heritage and Society; and
• Vetting the “Guidelines for Use of Video,” collaboratively developed by IPinCH team members for the Flipcam project, intended as useful guidelines for sharing cultural context in digital video.
Publications:
Brown, D.* and G. Nicholas. forthcoming. Protecting Indigenous Cultural Property in the Age of Digital Democracy: Conventional Legal Approaches to Canadian First Nations and Maori Heritage. Journal of Material Culture.
Nicholas, G. forthcoming 2011. Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain. In Dynamic Fair Dealing: Creating Canadian Cultural Heritage Online, edited by R. Coombe, et al. University of Toronto Press.
Presentations:
Carr-Locke, S.* 2011. Social Networking. IPinCH website blog post. www.sfu.ca/ipinch/node/751 May 17.
Carr-Locke, S.* 2011. Remix, Copyright, A2K, and Indigenous IP Rights. IPinCH website blog post. www.sfu.ca/ipinch/node/754 Jun. 6.
Kansa, Eric. 2011. Remixable Cultural Heritage: The Promise and Problems of Open Data, and Radical Transparency for the Past on the World Wide Web. “Why Does the Past Matter?,” Center for Heritage and Society, UMass-Amherst, April 3–7.