Spring 2018 - EDUC 944 G001

Aesthetic Ways of Knowing and Education (5)

Class Number: 10232

Delivery Method: In Person

Overview

Course Times + Location:

Jan 3 – Apr 10, 2018: Wed, 4:30–9:20 p.m.
Burnaby

Instructor:
Vicki Kelly
vickik@sfu.ca
1 778 782-7226

This course explores, critically, the historical and emergent role and responsibility of the arts in human development, learning and personal transformation. Aesthetic ways of knowing with a focus on metaphor, imagination and archetype are examined together with various Indigenous and cultural perspectives. The course will consider how differing conceptions of arts and the work of artists can influence and have value for education and society, and in particular for arts education and educational researchers.

COURSE DETAILS:

This course explores the cultural and historical perspectives as well as the emergent role and responsibility of the arts in human development, holistic learning, and personal transformation. It examines aesthetic ways of knowing, being, and doing with a focus on Indigenous ecological understandings as well as contemporary theoretical perspectives on art and education. It will investigate the role of creativity and making in relation to maintaining environmental and spiritual ecologies through Indigenous pedagogical practices, which acknowledge reciprocal relationality to land, language and culture. The course supports an in-depth study of how our various epistemologies influence our hermeneutic orientation to research and educational practice. The intention of this course is to engage creatively in situating artistic and educational practice, and to awaken a greater knowledge of important epistemological, contemplative, cultural, and developmental influences on our understandings of what art is, the evolving role of the artist/educator, as well as the emerging task of the artist/researcher. We will extend this study to explore various theoretical frameworks, curriculum orientations, and pedagogical perspectives focusing on how to cultivate creativity, aesthetic sensibility, and artistic expression. In addition we investigate various artists’ ability to seek agency in relation to today’s most challenging issues and explore their emerging role in creating an ethos for our times.

Growing out of personal stories, this course is designed to explore various cultural and epistemological perspectives, research these perspectives, articulate them in textual format to discover how cultural conceptions of art, and the role of the artist, impact art education. From this personal base of relevancy and experience we extend knowledge and study to explore various theoretical frameworks, curriculum orientations and pedagogical perspectives focusing on how to cultivate creativity, aesthetic sensibility, and artistic expression in children and adults. In addition to examining the experiences of attending students, we investigate various artists’ ability to seek agency in relation to today’s most challenging issues and emerging trends. Out of our own composite experiences and narratives, we survey how differing perspectives and the understandings that have arisen in relation to art, and the role of the artist, directly impact our approaches to art education and the healing arts. We will explore conceptions of curriculum, current educational concerns, and look at diverse approaches to pedagogical practice in art education and art therapy.

COURSE-LEVEL EDUCATIONAL GOALS:

·      To cultivate one’s capacities as an artist/educator/researcher in a community of inquiry in collaboration with others.
·      To deepen and broaden one’s knowledge about the important contemplative, cultural orientations to art and the role of the artist in society with particular attention to attitudes towards the child as aesthetic learner and artist.
·      To examine the influence and responsibility we have as storytellers, artists, educators, and researchers, and how to acquire and utilize that influence with integrity and generosity and skill.
·      To acquire aesthetic ways of knowing and developing one’s own voice to help facilitate our own and others’ journeys toward wholeness, creativity and community.
·      To examine the presence and power of narrative as it represents itself in all cultures and all periods in various art forms and in the stories we tell and the stories we live.
·      To examine the elements of creative process common to both art and text production to enable students to make the transition from art making to writing about their artistic processes.

Grading

• Portfolio (completing of developmental assignments such as life writing, art work, reflective journaling, lyrical writing, as facilitated by an arts-based inquiry process) 30%
• Presentation of an Arts-based Narrative of their Inquiry or Living Inquiry Represented through multi modalities (visual, textual, musical.) 30%
• Final Reflective Paper/Metissage as represented through multi modalities (visual, textual) which integrate the readings, research, dialogue, and one’s artistic and educational research focus: 40%

NOTES:

*Note: Each student is expected to have completed all the course reading, assignments, and to actively contribute to class discussions as well as other group processes.

REQUIREMENTS:

It is also recommended that each student maintain a journal or field notebook, which can serve as a forum for on going critical reflection, lyrical writing, observations, sketches, rumination, and as place for noting ideas and insights. The students are also expected to engage in multi-disciplinary learning, participate in various forms of inquiry, and present or represent their work in multiple artistic modalities or literacies

Materials

MATERIALS + SUPPLIES:

It is recommended that each student have a 18X24 pad of newsprint for sketching and a set of 24 or more soft pastels.

REQUIRED READING:

· S. Walsh, B. Bickel, & C. Leggo (Eds.). (2015). Arts-based and contemplative practices in research and teaching: Honoring presence. New York, NY: Routledge. ISBN-9781138286740
ISBN: 9781138286740

· Hogan, Linda. (1995). Dwellings: A Spiritual History of the Living World. New York, NY: Touchstone Books. · ISBN-10: 0393322475 & ISBN-13: 978-0393322477
ISBN: 978-0393322477

· Hasebe-Ludt, E., Chambers, C,. Leggo, C. (2009). Life Writing and Literary Métissage: an Ethos for Our Times. New York, NY: Peter Lang. ISBN 978-1-4331-0306-3
ISBN: 978-1-4331-0306-3

· Kovach, Margaret. (2009). Indigenous Methodologies. Characteristics, Conversations and Contexts. Toronto, ON: University of Toronto Press Incorporated. ISBN: 978-1-4426-1211-2
ISBN: 978-1-4426-1211-2

· ***Cajete, Gregory. (1994). Look To The Mountain: An Ecology of Indigenous Education. Skyland, NC: Kivaki Press. ISBN 1-8823-8-65-4

***The text above will be made available by the instructor as PDF and in book form
ISBN: 1-8823-8-65-4

Graduate Studies Notes:

Important dates and deadlines for graduate students are found here: http://www.sfu.ca/dean-gradstudies/current/important_dates/guidelines.html. The deadline to drop a course with a 100% refund is the end of week 2. The deadline to drop with no notation on your transcript is the end of week 3.

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating. Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community. Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

Search for a new outline

Simon Fraser University
Engaging the World

Course Outlines