Spring 2018 - HUM 340 D100

Great Cities in Their Time (4)

VENICE: Between East and West

Class Number: 4379

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 3 – Apr 10, 2018: Fri, 1:30–5:20 p.m.
    Vancouver

  • Exam Times + Location:

    Apr 19, 2018
    Thu, 12:00–3:00 p.m.
    Vancouver

  • Prerequisites:

    45 units.

Description

CALENDAR DESCRIPTION:

An exploration of the cultural and intellectual accomplishments of a specific city that achieved prominence in a particular time period, and had substantial impact and influence on human civilization. Examines the political, social, religious, and cultural factors that help to explain a city's significance and investigates the achievements of its citizens. This course may be repeated for credit. Breadth-Humanities.

COURSE DETAILS:


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VENICE: Between East and West

This course introduces students to the study of the political, cultural, and artistic life of the Republic of Venice, one of the most powerful States of the Italian peninsula from the 13th to the 17th century, later to be incorporated into the Italian State. Situated at the crossroads of trade routes with the East, Venice was able to create a powerful maritime Empire that looked to the East as much as it was rooted in the West, while being challenged in its political and economic interests by neighboring political powers. A thriving mercantile State, it allowed many religious and cultural groups to coexist within its borders, thus profiting from the labour and traffic of many groups. But material wealth was not the only reason for the outburst of cultural production in painting, sculpture, music, and literature. Venetian citizens’ love for social pleasures and erotic delight also played a major role.

Readings comprise two novels, two plays, two memoirs, as well as historical documents, ranging from the origin of the Republic until modern day Venice. In-class discussions will also briefly address the role of Venice as “city of art” and tourist site in contemporary Italy (from the Biennale to the carnival), its role in contemporary ecological politics as well as its participation to political separatist

COURSE-LEVEL EDUCATIONAL GOALS:

At the end of the course, students will be able to demonstrate their proficiency in the following activities:  

1. Read and analyze Humanities texts creatively and to academic standards.
2. Demonstrate an understanding of the history of Venice in relation to mercantilism, East-West trade routes, republican government, citizenry and Jewish culture, print culture, European imperialism, the history of sexuality and the history of diseases.
3. Demonstrate an understanding of Venetian cultural production (theatre and art) in relation to its historical and social context.
4. Demonstrate the ability to analyze works of art using relevant terminology.
5. Write about Humanities texts analytically by becoming proficient in modeling interpretation, linking claims to evidence, developing a thesis, structuring a paper, and using sources effectively.

Grading

  • Attendance and participation (includes city-project) 20%
  • First paper (6 pages) 20%
  • Second paper (8 pages) 20%
  • Final exam 40%

Materials

REQUIRED READING:

Marco Polo, The Travels of Marco Polo (selected chapters) (available electronically through SFU library)

Italo Calvino, Invisible Cities (Tr. W. Weaver), Vintage, 2002

Giacomo Casanova, The Story of My Life (selected chapters). Tr. S. Sartarelli, Penguin, 2001

Shakespeare, The Merchant of Venice, Arden, 2011

Henry James, The Wings of Dove, Penguin, 2008

Thomas Mann, Death in Venice (Tr. Michael Heim), Harper, 2005


CANVAS: Carlo Goldoni’s short play The Boors and the anonymous play La Venexiana; documents on Venetian social history; readings on mercantilism, piracy, Jewish culture, courtesans, libertinage, print culture, art and economics, urban and environmental theory.  

In-class screening: The Wings of the Dove (dir. Iain Softley, 1997) and Death in Venice (dir. Luchino Visconti, 1970)  


RECOMMENDED READING:

Peter Humfrey. Painting in Renaissance Venice (3rd ed.), Yale UP, 2001

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS