Fall 2020 - CA 260 D100

Studio in Visual Art I (3)

Class Number: 7669

Delivery Method: Remote

Overview

  • Course Times + Location:

    Sep 9 – Dec 8, 2020: Tue, Thu, 9:30 a.m.–12:20 p.m.
    Burnaby

  • Prerequisites:

    CA (or FPA) 118 (or 168) and 161. A course materials fee is required.

Description

CALENDAR DESCRIPTION:

This course permits students to work extensively in a mature critical studio environment on a combination of freely chosen and assigned projects in various contemporary media. Reading will be required. Students with credit for FPA 260 may not take this course for further credit.

COURSE DETAILS:

Time in this course will be devoted to increasing technical skills/material knowledge and developing an advanced sense of the discourses related to contemporary artistic research, production and reception. Course work will include project planning and development, critically-oriented research, discussion and written responses concerning assigned readings, research presentations, production of artworks, critique discussions of peer student works and written reflections on projects and critiques. With our current circumstances, this course will be delivered online using both synchronous and non-synchronous methods.

Details regarding course project assignments will be provided at the first class.

Special Notes on the Online Delivery of the class in Fall 2020

Teaching and studying studio art remotely is a new situation, we hope to focus on the positive potentials of this temporary, configuration. We realize there will be individual situations that present challenges or differences. We are dedicated to being flexible when needed, and we imagine students will take on the same ethos. The class time will be structured around in class presentations, discussions, workshops and with regular breaks for working on assigned studio projects in class time. Break out groups with class mates and on one sessions with faculty and teaching assistants will also form part of the structure.

Grading

  • 1. Project 1 15%
  • 2. Project 2 15%
  • 3. Project 3 (self-directed) 25%
  • 4. Presentation 10%
  • 5. Written Assignments 20%
  • 6. Participation 15%

NOTES:

Projects:

Each student enters the class with different conceptual abilities and skill levels; thus grades are based on evidence of personal development and achievement of technical, formal and conceptual goals particular to each project and the scale of ambition. If a student attempts challenging or risky projects in a thoughtful manner yet does not achieve what was intended though the student  learns from that experience, then that is a useful learning process and will be acknowledged in the final grade. Your personal engagement and commitment, your openness to explore, and your work ethic will be assessed. Students will be required to document their work in anticipation of class critiques.

Projects are expected to be ambitious and challenging while providing opportunity to demonstrate each student's interests and sensibilities.

Presentation:

Students will be responsible for one presentation that will occur at some point during the semester. Drawing from a supplied list of artists, students will be expected to give a presentation sharing their research concerning the chosen artist’s work. By sharing in this process with the class, students help one another build a greater knowledge of the field of contemporary art. The presentation should include reference to representative works by the chosen artist, a situating of the artists’ work at significant historical and cultural junctures and an articulation of the place of this work amongst the artists’ peers. Each presentation should consider the non-artistic phenomena informing the work of the chosen artists’.

Written Assignments:

Students will be required to complete written assignments throughout the semester concerning their own work and readings assigned by the instructor. The written reflections (500-750 words) should provide a critical contextualization of the work the student has produced while outlining opportunities for further development. The assigned reading responses (500-750 words) should provide a brief summary of the reading and highlight questions for discussion.

It is crucial that assigned readings are actively thought through in relation to each student’s concerns and practice.

Participation:

The effectiveness of this course depends on each student's contribution through active participation in all aspects of the course. One of the obvious areas is through the critiques where we engage with the projects at hand, and discuss what has been made. Regular progress is expected on all work developed for this course. Sustained engagement outside of scheduled classroom time is required. Full attention is required during meetings and critiques. You are expected to be on time and engaged for every class.

An organized presentation of work for individual meetings and group critiquess is expected. Students are required to show their progress towards completion of their projects through the regular presentation of new work, key aspects of research and ability to discuss issues, problems, and/or questions related to their practice.

Thought, serious engagement, critical thinking and sensitivity regarding other students and their work are crucial.

REQUIREMENTS:

The minimal technology requirements for successfully completing this course are:

  • a stable internet connection;
    · video camera for online meetings;
    · a laptop or desktop computer no older than five years old;

This course will also require access to the following software:

  • Zoom (Free)

This course recommends you access the following software as you may find it useful in some projects.

  • Adobe Suite (currently available for free use)

Note that CA 260 course components will be held synchronously, please be available at the times listed.

Students are encouraged to become familiar with SCA's more technical guidelines and suggestions for required computing resources http://www.sfu.ca/content/sfu/sca/events---news/news/computer-help--sca-online-.html

If this course is a requirement to your degree and you are unable to meet one or more of the technology or synchronous time frame requirements, please contact the course instructor for possible alternative arrangements.

Materials

MATERIALS + SUPPLIES:

Students are expected to have access to general materials and tools necessary for the production of works of art. There is no expectation that these will be specialized artistic materials though they should be suitable to finish a project to an elevated level. Resourcefulness and ingenuity in terms of sourcing and using materials are important.

Assigned readings will be provided in anticipation of class discussions. Individual recommendations of readings and other resources will be determined on a student to student basis

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

TEACHING AT SFU IN FALL 2020

Teaching at SFU in fall 2020 will be conducted primarily through remote methods. There will be in-person course components in a few exceptional cases where this is fundamental to the educational goals of the course. Such course components will be clearly identified at registration, as will course components that will be “live” (synchronous) vs. at your own pace (asynchronous). Enrollment acknowledges that remote study may entail different modes of learning, interaction with your instructor, and ways of getting feedback on your work than may be the case for in-person classes. To ensure you can access all course materials, we recommend you have access to a computer with a microphone and camera, and the internet. In some cases your instructor may use Zoom or other means requiring a camera and microphone to invigilate exams. If proctoring software will be used, this will be confirmed in the first week of class.

Students with hidden or visible disabilities who believe they may need class or exam accommodations, including in the current context of remote learning, are encouraged to register with the SFU Centre for Accessible Learning (caladmin@sfu.ca or 778-782-3112).