Spring 2021 - CA 365 D100

Methods and Concepts: Photo-based Practices (3)

Class Number: 8256

Delivery Method: Remote

Overview

  • Course Times + Location:

    Jan 11 – Apr 16, 2021: Mon, Wed, 2:30–5:20 p.m.
    Burnaby

  • Prerequisites:

    CA (or FPA) 160. A course materials fee is required.

Description

CALENDAR DESCRIPTION:

Presents photo-based practices as they relate to practical, conceptual, aesthetic and historical issues in contemporary art. Additional assignments will be required for students taking the course at this level. Students with credit for FPA 365 may not take this course for further credit.

COURSE DETAILS:

Throughout the semester, we will consider contemporary photographic practices and discourses through the concepts of the fragmentary and episodic. Drawing on a diverse body of texts both recent and historical, we will collectively develop a sense of photography's situation in relation to the wider cultural worlds that inform its meanings and uses. Rather than simply focus on photography, we will look at its associated technologies and materials as the have been used within art. What potential use is there in distinguishing between, or even conflating, print-based practices using inkjet media? How can we approach the varied practices utilizing flatbed scanners in relation to the historical trajectory of photography itself? Through lectures, readings, screenings, presentation and discussions, students will be expected to develop their critical approach to analyzing the relation(s) between photography as art and everything else.

Grading

  • Participation/Engagement 10%
  • Reading Responses 20%
  • Artist Presentation 10%
  • Projects 30%
  • Final Project 30%

NOTES:

PARTICIPATION/ENGAGEMENT:

Students will be evaluated based on their level of commitment to their classmates and on their engagement with the course material. They are expected to work diligently and independently on an extensive, focused body of work created in relation to course materials and the character of discussions occurring within the class. The level of students' conceptual and material engagement and the evolving refinement and ambition of their projects will be assessed over the arc of the semester. Students are expected to be prompt and well prepared for all critiques, meetings, presentations and discussions. Participation in class discussions of your own work and that of others is required. Students are expected to be present and engaged for all class activities. Regular communication with instructors concerning progress on work and other issues is expected.

READING RESPONSES:

The objective of these reading responses is not a summary of the assigned texts. This assignment is a way of writing about your thinking about the reading, or your reaction(s) to a reading. Your reading response is not a formal paper, but it should still be well thought-out, fully developed, and carefully written. It should communicate that you have read the text carefully and can engage its ideas in a meaningful way. Think about not only the text overall, but also smaller pieces of it. How does one passage or phrase or idea echo the larger meaning or potential of the work? An effective written response will demonstrate that you have thoroughly read and understood the reading (or that you ask questions that reveal careful reading). It might develop connections between the reading and the themes of the course or discussions we’ve had in class or lecture and demonstrate that you have considered the implications of the readings. It may suggest questions for class discussion. Be specific about the work you’re discussing, provide details from the text to back up any assertions you may make by quoting directly from the text.

ARTIST PRESENTATION:

Students will be responsible for one presentation that will occur at some point during the semester. Drawing from a supplied list of artists, students will be expected to give a presentation sharing their research concerning the chosen artist’s work. By sharing in this process with the class, students help one another build a greater knowledge of the field of contemporary art. The presentation should include reference to representative works by the chosen artist, a situating of the artists’ work at significant historical and cultural junctures and an articulation of the place of this work amongst the artists’ peers. Each presentation should consider the non-artistic phenomena informing the work of the chosen artists’.

PROJECTS AND FINAL PROJECT:

Each student enters the class with different conceptual abilities and skill levels; thus grades are based on evidence of personal development and achievement of technical, formal and conceptual goals particular to each project and the scale of ambition. If a student attempts challenging or risky projects in a thoughtful manner yet does not achieve what was intended though the student  learns from that experience, then that is a useful learning process and will be acknowledged in the final grade. Your personal engagement and commitment, your openness to explore, and your work ethic will be assessed. Students will be required to document their work in anticipation of class critiques.

Students in CA 365 will be required to complete a final project demonstrating a culmination of their work as pursued over the course of the semester

Projects are expected to be ambitious and challenging while providing opportunity to demonstrate each student's interests and sensibilities.

REQUIREMENTS:

The minimal technology requirements for successfully completing this course are:

  • a stable internet connection;
    · video camera for online meetings;
    · a laptop or desktop computer no older than five years old;

This course will also require access to the following software:

  • Zoom (Free)

This course recommends you access the following software as you may find it useful in some projects.

  • Adobe Suite (currently available for free use)

Note that CA 265 course components will be held synchronously, please be available at the times listed.

Students are encouraged to become familiar with SCA's more technical guidelines and suggestions for required computing resources http://www.sfu.ca/content/sfu/sca/events---news/news/computer-help--sca-online-.html

If this course is a requirement to your degree and you are unable to meet one or more of the technology or synchronous time frame requirements, please contact the course instructor for possible alternative arrangements.

Materials

MATERIALS + SUPPLIES:

Each student will be expected to have access to a camera, either digital or analogue, that they can use to produce photographic works. Students will also be expected to have access to Adobe Creative Suite in order to process and edit digital images to prepare them for print and presentation. 

Assigned readings will be provided in anticipation of class discussions. Individual recommendations of readings and other resources will be determined on a student to student basis

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

TEACHING AT SFU IN SPRING 2021

Teaching at SFU in spring 2021 will be conducted primarily through remote methods. There will be in-person course components in a few exceptional cases where this is fundamental to the educational goals of the course. Such course components will be clearly identified at registration, as will course components that will be “live” (synchronous) vs. at your own pace (asynchronous). Enrollment acknowledges that remote study may entail different modes of learning, interaction with your instructor, and ways of getting feedback on your work than may be the case for in-person classes. To ensure you can access all course materials, we recommend you have access to a computer with a microphone and camera, and the internet. In some cases your instructor may use Zoom or other means requiring a camera and microphone to invigilate exams. If proctoring software will be used, this will be confirmed in the first week of class.

Students with hidden or visible disabilities who believe they may need class or exam accommodations, including in the current context of remote learning, are encouraged to register with the SFU Centre for Accessible Learning (caladmin@sfu.ca or 778-782-3112).