Spring 2021 - INDG 363 D100

Indigenous Poetry, Poetics, Printmaking (4)

Class Number: 4589

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 11 – Apr 16, 2021: Tue, Thu, 12:30–2:20 p.m.
    Burnaby

  • Prerequisites:

    45 units and permission of instructor; no previous artistic training and/or experience are required.

Description

CALENDAR DESCRIPTION:

Examines various art forms and aesthetic expressions of select Indigenous peoples of the Americas including Aboriginal poetry and poetic forms. A research and creation studio course. Students with credit for FNST 322 under the topic 'Poetics/Poetry: Bookmaking' or 'Indigenous Expressive Arts' may not take this course for further credit. Students with credit for FNST 363 may not take this course for further credit.

COURSE DETAILS:

A studio course (poetry, poetics, prose, prints). Review, analysis, and understanding of Indigenous poetry and poetics of the Americas including samples from oral traditions, ethnography, song poems, and the contemporary published record.  Practice of low-tech printing such as relief, cut/engraving, stencil, monotype, and/or multiple color technique to make multiple images, in direct democratic action.  May be offered in conjunction with a print exchange and/or exhibit, where students work cooperatively to create a display and exchange of their work.


COURSE-LEVEL EDUCATIONAL GOALS:

Each week students will:

  1. Attend every session;
  2. Read, reflect, analyze, and discuss all assigned texts with one another as a community;
  3. Research and share Indigenous poetics (poems and poetics-oral narratives, written records, recordings, others);
  4. Speak to aesthetic verbal expression and the cultural role of Memorization, Right Speech, protocol, Oration;
  5. Recognize various practices peoples have and do use to maintain a relationship with Mother Earth via aesthetic expressions;
  6. Complete studio project(s) within consensus-agreed upon parameters;
  7. Submit projects when due (no late submissions accepted);
  8. Critique art Kindly, Critically, and Intelligently in a verbal manner;
  9. Use critical art Lexicon in class in their speech;
  10. Submit work when due (late projects not accepted; marked as 0), and at midterm and final in an online gallery format (webpage); and,
  11. Perform other duties as revealed during the semester. 
Students must invest a minimum of 4 additional hours per week for project work.  Students must procure materials from diverse locations, such as forests, fields, and stores.  Materials costs approximately $100.00.

Grading

  • Weekly participation (ten weeks – in class work) 20%
  • Weekly Journal and sketchbook (ten weeks – outside of class work evidenced in binder) 40%
  • 5 Poem Print projects x 8 each 40%
  • Mandatory attendance at midterm and final review (5 point each deduction for missing reviews)

NOTES:

Each student is responsible to know all about the class at all times and fulfill the requirements as stated herein and in class.   ****Please note, to accommodate the complexities inherent in life, this syllabus is subject to modification in order to meet student needs and interests.  The syllabus may be modified as semester progresses to accommodate the complications inherent in life and in order to create a community of learners who create consensus together.  Students are responsible to remain informed at all times.***

Materials

MATERIALS + SUPPLIES:

General Supplies:

  • pencil, eraser, drawing/writing paper
  • permanent marker, black Sharpie (not fine point)
  • paper for printing, paper/acetate/cardboard to make a stencil and registration board
  • scissors
  • utility knife
  • ruler
  • paintbrush(es)
  • lint-less cotton rags
  • relief cut tools and handle
  • nail, pin in a pen holder, or other etching tool(s)
  • brayer(s) for picking up ink and laying it down
  • WATER based inks (pick your colors please. suggested - yellow, red, blue, black, white)
  • palette knife or other flat item to mix paint
  • piece of plexi/glass or other non-porous surface to use as a palette and plate
  • 8” x 10” EZ cut, or facsimile
  • recycled Styrofoam (from grocery store)
  • rubber gloves (optional)
  • hand towel for clean up
  • string (to hang your prints as they dry)
  • clothespins or binderclips (to hang your prints from the line)
  • painter’s tape
  • scrap cardboard (to make registration boards)
  • flat-backed wooden spoon, flat doorknob, or barren for rubbing paper and plate

REQUIRED READING:

Readings: as listed in extended syllabus AND TBA


Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

TEACHING AT SFU IN SPRING 2021

Teaching at SFU in spring 2021 will be conducted primarily through remote methods. There will be in-person course components in a few exceptional cases where this is fundamental to the educational goals of the course. Such course components will be clearly identified at registration, as will course components that will be “live” (synchronous) vs. at your own pace (asynchronous). Enrollment acknowledges that remote study may entail different modes of learning, interaction with your instructor, and ways of getting feedback on your work than may be the case for in-person classes. To ensure you can access all course materials, we recommend you have access to a computer with a microphone and camera, and the internet. In some cases your instructor may use Zoom or other means requiring a camera and microphone to invigilate exams. If proctoring software will be used, this will be confirmed in the first week of class.

Students with hidden or visible disabilities who believe they may need class or exam accommodations, including in the current context of remote learning, are encouraged to register with the SFU Centre for Accessible Learning (caladmin@sfu.ca or 778-782-3112).