Summer 2025 - GA 302 D100

Selected Topics in Global Chinese Studies (3)

Contemporary Chinese Cinema

Class Number: 2317

Delivery Method: In Person

Overview

  • Course Times + Location:

    May 12 – Jun 20, 2025: Tue, Thu, 11:30 a.m.–2:20 p.m.
    Burnaby

  • Prerequisites:

    45 units. Recommended: GA 101.

Description

CALENDAR DESCRIPTION:

In this interdisciplinary course, students will investigate a topic relating to the histories, societies, cultures, knowledges, geographies, and/or ecologies of China, Chinese-speaking people, and/or people of Chinese descent in Asia and beyond. May be repeated for credit only when a different topic is taught.

COURSE DETAILS:

Chinese Language Cinema: Classics

This course introduces cinema classics from mainland China, Hong Kong and Taiwan at the turn of the Century when dramatic political, economic and social changes have taken place and Chinese language cinema started to reach international audience. How do Chinese films represent and make sense of these changes? How do film artists re-tell national histories and construct local identities in a time of transition? and what are the representative cinematic works that won international acclaims? Through watching and discussing these films, we will examine the thematic concerns, the narrative forms and the cinematic languages of contemporary Chinese cinema; we will also discuss the social and cultural context of these films to gain a deeper understanding of the relationship between cinema and society. 

Besides a variety of cinematic works ranging from domestic blockbusters to internationally acclaimed arts films, students will also be exposed to scholarly works to learn different approaches in writing about films. 

COURSE-LEVEL EDUCATIONAL GOALS:

The goals of the course are: 

1) to discover contemporary Chinese language cinema and gain a deeper understanding of fictional representation of history and reality in Chinese cinema; 2) to develop generic skills in film analysis as well as writing about film. Students will learn to engage in critical reading of cinematic texts through weekly discussion, presentation, and various kinds of writing exercises.

Grading

  • Attendance and Participation 30%
  • Screening Report (2) 20%
  • Group Presentation 20%
  • Final Paper 30%

Materials

REQUIRED READING:

Required Texts

1. Films: These core film texts are reserved in the Media Resource Centre, Bennett Library, and also available online

Farewell My Concubine (霸王别姬, Chen Kaige)

Big Shot's Funeral (大腕,  Xiaogang Feng)

City of Sadness (悲情城市, Hou Hsiaohsian)

Yiyi (一一, Edward Yang)

Made in Hong Kong (香港制造, Fruit Chan)

Crouching Tiger, Hidden Dragon (卧虎藏龙, Ang Lee)

2. Timothy Corrigan, A Short Guide to Writing About Film, 8th edition, Pearson, 2012


REQUIRED READING NOTES:

Your personalized Course Material list, including digital and physical textbooks, are available through the SFU Bookstore website by simply entering your Computing ID at: shop.sfu.ca/course-materials/my-personalized-course-materials.

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

At SFU, you are expected to act honestly and responsibly in all your academic work. Cheating, plagiarism, or any other form of academic dishonesty harms your own learning, undermines the efforts of your classmates who pursue their studies honestly, and goes against the core values of the university.

To learn more about the academic disciplinary process and relevant academic supports, visit: 


RELIGIOUS ACCOMMODATION

Students with a faith background who may need accommodations during the term are encouraged to assess their needs as soon as possible and review the Multifaith religious accommodations website. The page outlines ways they begin working toward an accommodation and ensure solutions can be reached in a timely fashion.