A Guide
to Doing the abstracts HUM
302
An abstract
is a summary of points to be made in a
larger paper.
Goals:
To have
you engage in research and come to your own, independent, even if preliminary,
view about some aspect of our course material.
To have
you learn some of the basic strategies of academic writing, especially in the
humanities. In this course, we'll
work on writing an argumentative essay, as distinct from, e.g. an encyclopedia
article or a book review.
To have
you develop your writing skills.
(If there are too many mechanical errors, you will be asked to correct
and resubmit your paper in order to get a mark.)
To have
you work out some preliminary thoughts about a subject that you may want to
take up in a more elaborate way in the research paper or annotated bibliography
(or both).
Procedure:
Do all of
the assigned reading and take note of whatever may be relevant. Take some time to brainstorm: look for
opportunities to compare and contrast; seek out key terms and concepts; think
about the source(s); anticipate objections.
Assume
that your reader is another student in the class who has been doing the reading
but has not given as much thought to the point you want to make. While you should use a formal, academic
tone, there is no need to retell the details of the assigned texts to
this person.
Make a
single, clear statement of the point you want to make (your thesis statement)
and then back up that statement with arguments (in the first paragraph) and specific
evidence, which support the arguments (in the subsequent paragraphs).
The first
paragraph should give your argument in a nutshell. Do not cite specific evidence in it. Subsequent paragraphs should detail the
argument. The conclusion should look
beyond your paper to associated issues.
Do as
much of the thinking as possible by yourself. Avoid quotations - they represent someone else's
thinking. Paraphrase rather than
quote, but cite the relevant passages.
Keep the
paper within 500 words.
Mechanics:
Put all
identifying information (e.g. your name, the date) on one line at the top of
the first page. Do not use a title
page. A short, descriptive title
will be useful.
For any
specific or disputable information or a quotation, cite your source. Do not use
footnotes to cite the ancient texts.
For instance, if you use Thucydides for specific information, write
(Thuc. 1.48) at the end of the sentence before the period to indicate that your
information stems from the Thucydides, book one, section 48. (Subsequent
citations of the Iliad can omit the "Thuc.".) Use a bibliography only if you are
reacting to some work of scholarship.
Consider
information gleaned from footnotes in your texts as background information. It can save you from errors, but it
should not play an active role in your papers. The same is true of class discussions. That is, neither the footnotes nor the
discussions should ever be cited.
If specific information cannot be grounded on our texts, or on reading
of some identified outside scholarship,
it should not appear in your papers.
Check the
mechanics of your paper thoroughly for grammatical errors, spelling, and
typographical mistakes. It is even
better to ask a classmate to proofread your paper once you have done so. Feel free to pencil in changes on your
typescript. The most common errors
are comma splices, dangling modifiers, and confusions between "it's"
and "its". Be aware that
I tolerate split infinitives with difficulty.
Double
space and use standard margins, font (e.g. Times), and font size, that is, 12
point.
Caveats:
When referring to events
in a text under discussion, use the present tense even if the text narrates
them in the past tense.
Avoid
saying much about the modern world.
You may briefly illustrate a point by mentioning a modern parallel, but
remember that you are writing about classical mythology and its context. We are not interested in your views
about the modern world (at least, not for this course).
Write
nothing about yourself or your opinions; it wastes space. I know that what I'm reading represents
your thoughts. Instead of writing
"in my opinion," write something like "it appears that" if
you want to qualify a statement you are unsure of. Better yet, explain why the statement needs to be qualified.
Avoid
trite conclusions such as those that claim that the classical world and the
modern world are similar.
Avoid
colloquialisms, slang, and contractions.
Although you are writing as if to your classmates, keep a formal
distance.
The spellings of classical names vary in this course as they do in our language in general. You need to get used to this fact. Some spellings are influenced by the literary transmission through Latin, while others attempt to transliterate Greek spellings directly. You dont want to bother with all the details, and you can certainly use in your writing any spelling that appears in our course material. As rules of thumb, remember that C = K (Kastor/Castor), OI = OE (Oidipous/Oedipus), AI = AE (Aiskhylos/Aeschylus), and OS = US (Ouranos/Uranus).
The abstract should include the following information:
David MIRHADY Democratic Rituals: Jury Selection in Athens
Jury
selection in Athens was informed by considerations more of democracy than of
either religion or justice.
In
a Festschrift for Mogens Hansen
(Just Rituals, in Polis and Politics 2000), Victor Bers argues that the rigmarole of jury selection
described in Ath. pol. 63-66 is
best understood as a ceremony aimed at alleviating the Athenians anxiety
about the democratic jurors – their general quality, number, and probity
(553), and that the ordinary man is likely to have felt that it was not an
entirely random process that assigned dikastai (558), i.e., there was a divine element in the
lottery. Bers paper represents a
solid advance on previous accounts (cp. Rhodes in Eder 1995), but it seems unlikely that most Athenian
citizens had anxieties about democratic jurors, for a great number of them were
Athenian jurors themselves. And
the religious origin of the lottery seems a forgotten element inasmuch as the
selection system conceded that the lottery could inadvertently select
unqualified jurors. The Ath. pol. itself remarks repeatedly on measures being used
that prevented cheating, but that seems a fascination of its author rather than
a defining element of the system.
The
democratic elements of the jury selection process that need clarification are
those that depart from the purely random selection of citizens. They include the age requirement,
tribal distribution (including divisions within tribes), and the level of jury
pay. That the dikastai were all at least thirty years old seems akin to the
requirement that public arbitrators had to be fifty-nine, that is, the
Athenians put some premium on experience.
That the dikasteria
included equal numbers from each of Athens ten tribes, randomly divided in ten
further divisions, suggests that the Athenians valued geographical
distribution. That the Athenians
introduced jury pay at two obols, increased it to three obols, and then stuck
with that number, while levels of pay for other forms of democratic participation
climbed, suggests that they had some appreciation for a level of payment that
would produce what Aristotle describes in the Politics as an appropriate mixture of rich and poor.
The
premiums put on experience, geographical distribution, and the level of jury
pay created a dikastrion that was
not a purely random selection of the dmos. Experience no doubt led
to better informed judgments, but it also served the democratic value of
equality by balancing off judicial power against the physical superiority of
younger citizens. Geographical
distribution served the interests of political unity, and jury pay served to
redress practical inequities of opportunity to participate among the rich and
poor. The rigmarole that Bers
laments evolved over time, as Boegehold has documented (Athenian Agora 28 21-41), with new innovations being added
incrementally. A selection system
created de novo would no doubt
have been more efficient. However,
the innovations appear always to have served to perfect the randomness of the
selection process and thus the democratic principle of equality.