Maj Britt Jensen: cultural cannibal
SCA Office Exhibition
12 January 2017 – 12 January 2017, 9:00pm
TBA, SCA Office (GCA 2860), SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
Opening Thursday, January 12 from 4:30–5:30 pm.
Exhibition: January 12 to February 17
Produced as part of a residency at Casa Wabi in Oaxaca, Mexico, artist Maj Britt Jensen worked with nine women (María de Jesús, Monse, Soledad, Margarita Paula, Mónica, Epifanía, Fernanda, María Francisca and Valvina) living in surrounding towns to create ceramic plates from local clay.
cultural cannibal draws on Oswald De Andrade’s notion of “antropofagia” as it was taken up by the Neo-Concrete movement in the 1960s. Here “antropofagia” means to consume another culture and refers to the complex interplay between dominant and marginalized cultures and communities. Through their materiality, these objects point to cultural contact, to encounters and migrations and the limits and potential latent in these interactions.
Interactions and indeed eating, are linked to the table. Following Sara Ahmed, the table is not only a place of gathering but a site in which power dynamics are spatialized and contested, often resulting in alienation. Through their production, circulation and reception, objects of clay and wood invite us to consider our position within systems of intercultural exchange.
Clay Workshop with Tessa Reed
Friday, Jan. 27, 1pm – 3pm
611 Alexander St.
Reading Group: Sara Ahmed's Strange Encounters: Embodied Others in Post-Coloniality
Wed., Feb 1, 5:30pm – 7:30pm
Wed., Feb. 8, at TBA
Tues. Feb 22 at TBA
Room 4390, SFU Goldcorp Centre for the Arts
149 West Hastings St.
HAPPY DAYS by Samuel Beckett
17 January 2017 – 28 January 2017, 8:00pm
Studio T, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
General $25, Students/Seniors $20
Square Planet Theatre in association with SFU’s School for the Contemporary Arts and FCAT, presents Samuel Beckett's darkly comic eulogy to the human spirit "Happy Days".
Winnie is buried to her waist in a mound, her days lit by a punishing sun and measured by the loud ringing of a bell. Upon waking she rummages through a capacious handbag, unearths an assortment of personal items and performs the few small routines of daily life that fill her hours with purpose. She sings, she laughs, she reminisces. She chatters tirelessly to her husband Willie who lives in a nearby hole. Despite dwindling resources and a failing memory, Winnie soldiers on, grateful for yet another happy day.
Few playwrights have so skillfully addressed the bewildering mystery at the heart of our relentless march towards oblivion as Samuel Beckett. This is a rare opportunity to see one of his most enduring, endearing and playful creations.
Penelope Stella, with Greg Snider
Direction DD Kugler
Set & Props Design Greg Snider
Costume Design Heather Blakemore
Lighting Design Kyla Gardiner
Stage Management Xin Xuan Song
Technical Direction Kyla Gardiner
Publicity Heather Blakemore
Seating is Limited. Performances are:
TUESDAY, THURSDAY, SATURDAY
JANUARY 17, 19, 21, 24, 26 & 28 at 8 PM
Studio T, 2nd Floor, Goldcorp Centre for the Arts
149 West Hastings Street, Vancouver
TICKETS: General $25, Students/Seniors $20
Online at whatson.sfu.ca
in person during box office during hours (Weds-Sat 2pm-6pm)
by phone (Weds-Sat 2pm-6pm) 778-782-9286
Arne Eigenfeldt’s Moments
New music by independent intelligent musical agents
18 January 2017, 12:00am
Goldcorp Centre for the Arts Lobby, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
SFU Contemporary Arts Faculty Series
Moments is a continuously running generative work that explores Moment-form, a term coined to describe music that avoids directed narrative curves and instead exists within stasis. The music is meant to remain in the background, and not draw attention to itself.
Moments continues the composer's research into musebots – independent intelligent musical agents – that both generate an overall musical structure, and then create the details within that structure. Various musebots assume roles within the creation and performance of each 10 minute composition: LondynBots generate long drones; MilanBots create melodic ideas; SienaBots make shorter, rhythmic melodic material; ParisBots produce percussive gestures. An OrchestratorBot decides which musebots are to be used in a given composition, based upon what the main ParamBot generates for the individual moments in the composition. A separate musebot generates the harmony for each moment, based upon the complexity required by the ParamBot. Lastly, a Conductor keeps all the musebots coordinated in musical time.
Each composition is unique, and generated on the spot. The musebots are "intelligent", in that they have learned about their environment, and communicate their intentions and coordinate conditions for collaborative machine composition.
Moments runs from January 18 to 28, 2017.
About Arne Eigenfeldt
Arne Eigenfeldt is a composer of live electroacoustic music, and a researcher into intelligent generative music systems. His music has been performed around the world, and his collaborations range from Persian Tar masters to contemporary dance companies to musical robots. He has presented his academic research at both scientific and artistic conferences, as well as performing and presenting his generative music at major festivals. He teaches music technology at Simon Fraser University, where he is Professor in the School for the Contemporary Arts, and is the co-director of the Metacreation Lab, and a founding partner of Metacreative Technologies.
Co-presented by SFU Woodward's Cultural Programs & SFU's School for the Contemporary Arts as part of the SFU Contemporary Arts Faculty Series.
Artist Talk: Jacqueline Hoàng Nguyễn
SCA Audain Visual Artist in Residence, Spring 2017
19 January 2017 – 19 January 2017, 7:00pm
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
SCA Audain Visual Artist in Residence, Spring 2017
Simon Fraser University’s School for the Contemporary Arts (SCA) is pleased to welcome Jacqueline Hoàng Nguyễn as the SCA’s 2017 spring Audain Visual Artist in Residence. Nguyễn is a research-based artist currently living and working in Stockholm (Sweden). She uses a broad range of media while primarily relying on archival material to investigate issues of historicity, collectivity, utopian politics, and multiculturalism within the framework of feminist theories.
Together with the third-year visual art students, Jacqueline Hoàng Nguyễn will develop counter-archives of vernacular images and micro-histories. The artist proposes theoretical and aesthetic reflections on the significance of the archive and its aporias. The aim of the workshops is to investigate the function of the archive and how it can be built from the bottom up to counter the conventional historical narratives of settler colonialism. In contrast to given, state-constructed narratives, the everyday migrants’ or aboriginals' story is disordered, uneven, and complicated. Various archival modalities will be experimented with including unorthodox approaches to classification, contested notions and forms of representations of citizenship, and knowledge production. Within the context of the classroom, Nguyễn hopes to tease out the role of the artist as an activist archivist, which theorist Mark Wigley describes as “one who designs an archive whose purpose is to polemically rearrange the standard perception of the worlds outside [...] to change the direction of thinking.” The students’ work with the Audain Visual Artist in Residence will culminate in a project exhibited at Simon Fraser University’s Audain Gallery in March 2017.
SCA Third Year Visual Arts Exhibition
March 22 – April 1, 2017
SFU at Goldcorp Centre for the Arts
149 W. Hastings Street
Nguyễn will also run a series of digitizing workshops as part of The Making of an Archive, in partnership with Grunt Gallery, while in Vancouver (January 21-26, 2017). For more details, please contact the gallery.
Presented by the School for the Contemporary Arts at SFU and SFU Galleries.
Jacqueline Hoàng Nguyễn completed the Whitney Independent Study Program, New York, in 2011, having obtained her MFA and a post-graduate diploma in Critical Studies from the Malmö Art Academy, Sweden, in 2005, and a BFA from Concordia University, Montreal, in 2003. Nguyễn’s work has been shown internationally in institutions including the EFA Project Space (2016); Mercer Union, Toronto (2015); MTL BNL at the Musée d’Art Contemporain, Montreal (2014); Kunstverein Braunschweig, Germany (2013); Apexart, New York (2013); Institute of Contemporary Art (ICA), Philadelphia (2011); Mason Gross Galleries, Rutgers University, New Brunswick, NJ (2011); and Gasworks, London (2010). In 2011 she was commissioned by CC Seven to produce a site-specific sound piece for The Woodland Cemetery, a UNESCO World Heritage site in Stockholm. In 2015, as part of SWICH, a collaborative project involving ten European museums of Ethnography and World Cultures she was the first artist-in-residence at the Museum of Ethnography in Stockholm. Currently she is working with curator Rado Ištok on editing Crating the World: Displaced Myths, Desires and Meanings, a compendium to Nguyễn's exhibition Black Atlas to be published in Spring 2017. Both the exhibition and publication are made possible with the generous support of Sharjah Art Foundation.
Audain Visual Artist in Residence
This program brings artists and practitioners to Vancouver who have contributed significantly to the field of contemporary art and whose work resonates with local and international visual art discourses. The visiting artists interact with the students and faculty of the School for the Contemporary Arts as well as the broader visual arts and cultural communities and the community at large. In keeping with the experimental nature of the School for the Contemporary Arts, the terms of engagement are open and change from artist to artist. The program is generously funded by the Audain Foundation Endowment Fund.