Posted on 10 Jan 2017 in sca eventInstallation

Maj Britt Jensen: cultural cannibal

SCA Office Exhibition

12 January 2017 – 12 January 2017, 9:00pm
TBA, SCA Office (GCA 2860), SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC

Maj Britt Jensen: cultural cannibal

Opening Thursday, January 12 from 4:30–5:30 pm.
Exhibition: January 12 to February 17

Produced as part of a residency at Casa Wabi in Oaxaca, Mexico, artist Maj Britt Jensen worked with nine women (María de Jesús, Monse, Soledad, Margarita Paula, Mónica, Epifanía, Fernanda, María Francisca and Valvina) living in surrounding towns to create ceramic plates from local clay.

cultural cannibal draws on Oswald De Andrade’s notion of “antropofagia” as it was taken up by the Neo-Concrete movement in the 1960s. Here “antropofagia” means to consume another culture and refers to the complex interplay between dominant and marginalized cultures and communities. Through their materiality, these objects point to cultural contact, to encounters and migrations and the limits and potential latent in these interactions.

Interactions and indeed eating, are linked to the table. Following Sara Ahmed, the table is not only a place of gathering but a site in which power dynamics are spatialized and contested, often resulting in alienation. Through their production, circulation and reception, objects of clay and wood invite us to consider our position within systems of intercultural exchange. 

Related Events

Clay Workshop with Tessa Reed
Friday, Jan. 27, 1pm – 3pm
611 Alexander St.

Reading Group: Sara Ahmed's Strange Encounters: Embodied Others in Post-Coloniality
Wed., Feb 1, 5:30pm – 7:30pm
Wed., Feb. 8, at TBA
Tues. Feb 22 at TBA
Room 4390, SFU Goldcorp Centre for the Arts
149 West Hastings St.

Posted on 22 Nov 2016 in sca eventEvent

HAPPY DAYS by Samuel Beckett

17 January 2017 – 28 January 2017, 8:00pm
Studio T, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
General $25, Students/Seniors $20

HAPPY DAYS by Samuel Beckett

Square Planet Theatre in association with SFU’s School for the Contemporary Arts and FCAT, presents Samuel Beckett's darkly comic eulogy to the human spirit "Happy Days".

Winnie is buried to her waist in a mound, her days lit by a punishing sun and measured by the loud ringing of a bell. Upon waking she rummages through a capacious handbag, unearths an assortment of personal items and performs the few small routines of daily life that fill her hours with purpose. She sings, she laughs, she reminisces. She chatters tirelessly to her husband Willie who lives in a nearby hole. Despite dwindling resources and a failing memory, Winnie soldiers on, grateful for yet another happy day.

Few playwrights have so skillfully addressed the bewildering mystery at the heart of our relentless march towards oblivion as Samuel Beckett. This is a rare opportunity to see one of his most enduring, endearing and playful creations.

Penelope Stella, with Greg Snider
Direction DD Kugler
Set & Props Design Greg Snider
Costume Design Heather Blakemore
Lighting Design Kyla Gardiner
Stage Management Xin Xuan Song
Technical Direction Kyla Gardiner
Publicity Heather Blakemore

Seating is Limited. Performances are:
JANUARY 17, 19, 21, 24, 26 & 28 at 8 PM

Studio T, 2nd Floor, Goldcorp Centre for the Arts
149 West Hastings Street, Vancouver

TICKETS: General $25, Students/Seniors $20
Online at
in person during box office during hours (Weds-Sat 2pm-6pm)
by phone (Weds-Sat 2pm-6pm) 778-782-9286

Posted on 15 Dec 2016 in sca eventInstallation

Arne Eigenfeldt’s Moments

New music by independent intelligent musical agents

18 January 2017, 12:00am
Goldcorp Centre for the Arts Lobby, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC

Arne Eigenfeldt’s Moments

SFU Contemporary Arts Faculty Series

Moments is a continuously running generative work that explores Moment-form, a term coined to describe music that avoids directed narrative curves and instead exists within stasis. The music is meant to remain in the background, and not draw attention to itself.  

Moments continues the composer's research into musebots  – independent intelligent musical agents – that both generate an overall musical structure, and then create the details within that structure. Various musebots assume roles within the creation and performance of each 10 minute composition: LondynBots generate long drones; MilanBots create melodic ideas; SienaBots make shorter, rhythmic melodic material; ParisBots produce percussive gestures. An OrchestratorBot decides which musebots are to be used in a given composition, based upon what the main ParamBot generates for the individual moments in the composition. A separate musebot generates the harmony for each moment, based upon the complexity required by the ParamBot. Lastly, a Conductor keeps all the musebots coordinated in musical time.

Each composition is unique, and generated on the spot. The musebots are "intelligent", in that they have learned about their environment, and communicate their intentions and coordinate conditions for collaborative machine composition.

Moments runs from January 18 to 28, 2017.

About Arne Eigenfeldt

Arne Eigenfeldt is a composer of live electroacoustic music, and a researcher into intelligent generative music systems. His music has been performed around the world, and his collaborations range from Persian Tar masters to contemporary dance companies to musical robots. He has presented his academic research at both scientific and artistic conferences, as well as performing and presenting his generative music at major festivals. He teaches music technology at Simon Fraser University, where he is Professor in the School for the Contemporary Arts, and is the co-director of the Metacreation Lab, and a founding partner of Metacreative Technologies.

Co-presented by SFU Woodward's Cultural Programs & SFU's School for the Contemporary Arts as part of the SFU Contemporary Arts Faculty Series.