For her 611 Talk Christine Major will discuss her site-specific painting installation project The 3915 Sainte-Catherine Est Case in the context of the symposium A Crimp in the Fabric: Situating Painting Today, where she'll be part of the panel Making a Difference: The Effective Capacity of Painting with Charlene Vickers and Francine Savard and moderator Nicole Ondre.
Christine Major painting practice is engaged, concerned with identity and feminist issues, and takes a critical look at the function of the image in the media and its impact on the representation of bodies. Her recent work evokes alternatively, horror films, the macabre art of the Middle Ages and gore literature. She uses fiction to play around with the disturbing figure of "the stranger" in a site-specific painting installation. In order to do this, she diverts images of female stereotypes used to exacerbate the fears and prejudices of the audience by provoking fright, and possibly disgust. She works with collages to develop an hybridization of images in the construction of her paintings. She advocates illegibility and variability in the appropriation of images and exhibition
of her work. She is interested in the monstrous, where pain borders horror when faced with difference.