Events

Posted on 03 Oct 2017 in sca eventsfu woodward's eventArtist TalkEventFilm ScreeningGallery Exhibition

Walid Raad & Jalal Toufic

Audain Visual Artist in Residence Program

10 October 2017 – 09 December 2017, 12:00am
TBA, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC

Walid Raad & Jalal Toufic

This fall the School for Contemporary Arts and SFU Galleries are hosting Walid Raad and Jalal Toufic, contemporaries whose art and writing are, almost uncannily, aligned. Walid Raad was AVAIR in Fall 2016 and returns to present his exhibition Sweet Talk: Commissions (Beirut 1994) in Audain Gallery. Jalal Toufic will present a series of lectures and screenings, his first in Canada.

The works of Raad and Toufic destabilize narratives of history by way of fictive philosophical and logical constructions that fold time. Each artist’s work engages a divergent range of topics, but repeatedly returns to query the history of Lebanon and its civil wars. Always eschewing a positivist reading, their works ask us to consider the form, logic and conditions of the question as to how violence affects bodies, minds and culture.

Fiction has to reveal to us the anomalous, labyrinthine space-time of ruins; and, in case no ruins subsist for the ghost to appear, to supplement reality as a site of return of the revenant. In postwar countries, fiction is too serious a matter to be left to “imaginative” people.

–Jalal Toufic, Ruins, 2010.

Walid Raad was born in Chbanieh, Lebanon and works in New York where he is Professor of Art in The Cooper Union. Solo exhibitions include the Louvre, Paris; Museum of Modern Art, New York; Kunsthalle Zurich; Whitechapel Art Gallery, London; and Hamburger Bahnhof, Berlin. His works have been shown in Documenta, Venice Biennale, Whitney Biennial, Sao Paulo Bienale, Istanbul Biennial, and Homeworks. He is a member of the Home Workspace Program in Beirut and The Gulf Labor Coalition.

Jalal Toufic is a thinker and a mortal to death. He was born in 1962 in Beirut or Baghdad and died before dying in 1989 in Evanston, Illinois. His books, a number of which were published by Forthcoming Books, are available for download at his website. And his videos are available for viewing at: vimeo.com/jalaltoufic. He, along with artists and pretend artists, was a participant in the Sharjah Biennials 6, 10 and 11, the 9th Shanghai Biennale, the 3rd Athens Biennale, and “A History: Art, Architecture, and Design, from the 1980s Until Today” (Centre Pompidou). In 2011, he was a guest of the Artists-in-Berlin Program of the DAAD; and in 2013–14, he and Anton Vidokle led Ashkal Alwan’s third edition of Home Workspace Program, based in Beirut. He has been the director of the School of Visual Arts at the Lebanese Academy of Fine Arts (Alba) since September 2015.

Co-presented by SFU School for the Contemporary Arts' Audain Visual Artist in Residence Program and SFU Galleries, with the Vancouver Art Gallery and Western Front.

About AVAIR

The Audain Visual Artist in Residence program brings artists and practitioners to Vancouver who have contributed significantly to the field of contemporary art and whose work resonates with local and international visual art discourses. The visiting artists interact with the students and faculty of the School for the Contemporary Arts as well as the broader visual arts and cultural communities and the community-at-large. In keeping with the experimental nature of the School for the Contemporary Arts the terms of engagement are open and change from artist to artist. The cornerstone of the residency is the sharing of artistic research. The Audain Foundation Endowment Fund generously funds the program.

Walid Raad in Conversation with Jayce Salloum on Beirut
Tuesday, October 10, 7pm
Djavad Mowafaghian World Art Center, SFU Vancouver

Walid Raad Opening Reception
Wednesday, October 11, 6 - 9pm
Audain Gallery

Walid Raad Artist Talk
Wednesday, October 11, 7 - 8pm
Djavad Mowafaghian World Art Center, SFU Vancouver

Scrivener's Monthly: Jalal Toufic on "The Dancer's Two Bodies"
Thursday, October 12, 7pm
Western Front, 303 E. 8th Ave.

Screening and Discussion of a Trilogy of Videos by Jalal Toufic and Graziella Rizkallah Toufic
Saturday, October 14, 8pm
Djavad Mowafaghian Cinema, SFU Vancouver

Jalal Toufic on "The Withdrawal of Tradition Past a Surpassing Disaster" 
Tuesday, October 17, 7pm
Djavad Mowafaghian World Art Center, SFU Vancouver

Book Launch and Talk for Jalal Toufic's What Was I Thinking (Sternberg Press, 2017)
Wednesday, October 18, 3pm
Vancouver Art Gallery, 750 Hornby St.

Exhibition Tour with Curator Melanie O'Brian in Dialogue with Art Historian Jeff O’Brien 
Saturday, November 18, 2pm
Audain Gallery (part of a downtown exhibition tour with the CAG at 3pm)

Screening of Jayce Salloum's This is Not Beirut (There Was and There Was Not), 1994 and Walid Raad and Jayce Salloum’s Talaeen a Junuub (Up to the South), 1993
Wednesday, November 22, 7pm
Djavad Mowafaghian Cinema, SFU Vancouver

Image Credit: Left: Walid Raad, Sweet Talk: Beirut (Commissions)_1992 (detail), 1992. Black and white photograph. © Walid Raad. Right: Jalal Toufic, How to Read an Image Past a Surpassing Disaster no. 5 (detail), 2010. © Jalal Toufic.

 

Posted on 17 Oct 2017 in sca eventTheatre Mainstage

The Bald Soprano

02 November 2017 – 11 November 2017, 8:00pm
Studio D, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
$7 Students//$10 Seniors & SFU staff & Faculty//$15 General

The Bald Soprano

Who is the middle class today in Vancouver? What about them is satirical or political? They are the folks who live in basement suites but buy only the best food and the most gorgeous clothing; the generation concerned with how it looks on the outside rather than feeling the discomfort of their unknown futures; the people terrified that a higher education doesn’t equal financial safety while carrying debt for designer shoes is the norm.

Our take on Eugene Ionesco's “The Bald Soprano” is a satirical look at our so-called ‘middle class:’ an inward look at a lost culture that hasn’t the skills to communicate in person but that has the ‘guts’ to build a multi-million dollar start up. Set in contemporary Vancouver, our re-staging of the play explores the “minimalist movement” and the vapidity that comes along with living on the West Coast – the terrifying place where everything is possible and nothing is certain, at a time that is on the brink of changing the world.

The Bald Soprano
By Eugene Ionesco

Directed by Emelia Symington Fedy
Designed by Christie Watson

Featuring: Howard Dai, Eve Middleton-Meyer, Maria Yanagisawa, Hilary Leung, Garvin Chan, and Logan Rhys Hallwas

Music by Erica Regehr

Preview: November 1.
Performances: November 2 – 4 and November 7 – 11.

$7 Students//$10 Seniors & SFU staff & Faculty//$15 General

Tickets on sale now here

Presented by the SFU School for the Contemporary Arts.

Posted on 27 Oct 2017 in sca eventPresentation

SCA Friday Colloquium

with Sabrina Schroeder & Jennifer Anderson

03 November 2017 – 03 November 2017, 1:00pm
4th floor, room 4390, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
Free

SCA Friday Colloquium

Sabrina Schroeder – Composer, performer

sabrinaschroeder.com

Sabrina Schroeder writes music for mixed ensembles, often using transducers and self-built mechanics as integrated instruments in live performance. Her recent Stircrazer series, initiated as a self-performed show at the Parkhaus im Malkastenpark gallery in Dusseldorf, builds around malleable qualities of fibrillation and pulsation, using these as live connective tissue within a body of instruments. She’s been an active member of composer-performer collectives presenting scored and improvised music, a back-up-band coordinator for teens in mental health housing and has taught on the faculty of the iEAR (Integrated Electronic Arts) department at Rensselaer Polytechnic Institute in upstate New York, the Summer Programs at the

Jennifer Anderson – MFA student, experimental musician, instrument builder

jennifer-anderson.webflow.io

Jennifer Anderson is an experimental musician that builds instruments which incorporates found objects and along with wood crafted parts that she designs. Her musical practice deals with embodied movement and how the body interacts with musical instruments that results in an improvisational music performance with these handmade instruments. She also is involved with sound design, and live engineering in both theatre and music performances.

Next Week, November 10: Kyla Gardiner & Ian McFarlane

Fridays, 1:00 PM - 2:30 PM
GCA 4390 (Fourth Floor Fish bowl)
FREE

Meet your colleagues at the School for the Contemporary Arts in this informal weekly series sharing the latest arts-based research by SCA faculty, graduate students and staff.

Ever wondered what everyone's doing when they're not at school? Bring a brown bag lunch and get to know a different side of your professors, TA's, and SCA support team.

Hear about international research, award-winning projects, and some of our SCA community's intriguing other lives as stilt-walking instructors, underground record store operators, digital horn players and (much) more.

Each twenty minute presentation will be followed by an open conversation where you can ask all your most probing questions.

Everyone is welcome. Bring your lunch or your post-lunch coffee.

The Friday Colloquium is a series of presentations and conversations on Friday afternoons where faculty, staff and current graduate students share their research in short 20 minute presentations. The goal of the series is to open a dialogue and to foster a better understanding of the research interests of faculty, students and staff

Posted on 11 Oct 2017 in sca eventPresentation

Lep-E Alternatives™ Presents - BecauseWeAreUsedToLiving

Dave Biddle's MFA Graduating Project

03 November 2017 – 03 November 2017, 5:00pm
Djavad Mowafaghian World Art Centre, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
FREE

Lep-E Alternatives™ Presents - BecauseWeAreUsedToLiving

In 1911, the same year Kafka wrote his Leopards in the Temple aphorism, a cougar repeatedly broke into the Stanley Park zoo, killed goats, and drank their blood. Eventually the city brought in a team to hunt the cougar down and kill it. The taxidermy cougar was then placed in the Stanley Park pavilion and incorporated into its exhibitions. Ninety five years later Vancouver based musician and sleep therapist Linda Fox released her debut album Leopards Break Into My Heart. This album, though meeting absolutely no critical success, has recently gained a cult following in Vancouver's Post-NewAge scene.

Using a combination of text, video, sound, and performance BecauseWeAreUsedToLiving takes a closer look at the music of Linda Fox while exploring the role of membranes in symbiogenesis, where the merging of two or more species creates an entirely new species. In particular, it is considered where these membranes exist in documentation.
 

18 January 2018

Community Research Ethics Policy Review

with Am Johal
11:00am, Tickets at the door.
18 January 2018
4th Floor, 4210, SFU Goldcorp Centre for the Arts, 149 West Hastings Street, Vancouver BC
FREE