ANDROGYNE, MON AMOUR (1996-97)
Production Score - page 5

Tracks 1 & 2

Source: Artificial harmonic gliss (9:30-10:03)

Processing: Stereo = 256 + KS = 152/181, F = 1022, input 0 to 40, 50, and back

Source: "well it's 3am" (10:04-10:21)

Processing: Granulated, stretch 1:5, then 1:1 on "alone", grain dur = 25ms

Source: Artificial harmonic gliss (10:21-11:20) 1st 3

Processing: Granulated, 10 voi., amp. correlated max 15:1 + KS = 726, F = 1020

Source: "nevertheless" (11:20-11:35)

Processing: Granulated, stretch 1:5, then 1:3, 1:1 on "longer" + KS = 181, 128, 90, 67, F=800

Source: "and I could" (11:37-11:46)

Processing: Granulated, stretch 1:5, then 1:2, 1:1 + KS = 515 (B flat), F=750, 850

Source: Artificial harmonic gliss (11:46-12:35) last 2

Processing: Granulated, 10 voi., amp. correlated max 13:1 + KS = 726, F = 1020

Tracks 3 & 4

Source: Jete (9:35-10:10)

Processing: Stereo KS resonators, delay = 407/305, F = 1010, raise input to 40, then fade, KS = 271

Source: "wolf's hour"(10:15-11:20)

Processing: Granulated, 10 voi. at speed 169, plus 4th lower, stretch 1:2, 2:1, then amp. correlated max 80:1, then 2:1, 400:1

Source: "in my hands" (11:24-11:35)

Processing: Granulated, 10 voi., stretch 1:5 + KS = 67, F = 1023

Source: "unclothed flesh" (11:47-12:16)

Processing: Granulated, 10 voi., amp. correlated max 25:1 + KS = 67, F = 990, return to 0:1 on "clo" & "fle"

Tracks 5 & 6

Source: Bowing on bridge (9:31-12:21)

Processing: Granulated, 10 voi. + KS = 543 (A), feedback inversely correlated to stretch (850-1000), stretch amp. correlated at max 100:1, second time 75:1

Tracks 7 & 8

Source: Sul pont (E/B flat) (9:33-12:40)

Processing: stereo = 511 + KS = 363/257 (E/B flat), F = 1013, raise input -> 10, then 20, 30, 40, 50, 40, 30, 20, 0

Time

9:30 ............................. 10:00 ...............................11:00 ......................................... 11:30 ........................................ 12:00 .......................12:20


  Stereo Reduction

Spectragram: Part 5, Part 5a


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