Mackerel-gulls were all the while flying over our heads and amid the breakers, sometimes two white ones pursuing a black one; quite at home in the storm, though they are as delicate organizations as sea-jellies and mosses; and we saw that they were adapted to their circumstances rather by their spirits than their bodies. Theirs must be an essentially wilder, that is less human, nature, than that of larks and robins. Their note was like the sound of some vibrating metal, and harmonized well with the scenery and the roar of the surf, as if one had rudely touched the strings of a lyre, which ever lies on the shore; a ragged shred of ocean music tossed aloft on the spray. But if I were required to name a sound, the remembrance of which most perfectly revives the impression which the beach has made, it would be the dreary peep of the piping plover (Charadrius melodus) which haunts there. Their voices,too, are heard as a fugacious part of the dirge which is ever played upon the shore for those mariners who have been lost in the deep since it was first created. But through all this dreariness we seemed to have a pure and unqualified strain of eternal melody, for always the same strain which is a dirge to one household is a morning song of rejoicing to another.
Henry David Thoreau, Cape Cod, Houghton, Mifflin, Boston & N.Y., 1894, p. 82.
TIME: late 19th c.
CIRCUMSTANCE: on the beach