examine | body

Books

• Ascott, Roy. (1999). Reframing Consciousness. Portland, Oregon: Intellect Books.
• Atkins, Dawn (Ed.). (1998). Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay and Transgender Communities. New York: Haworth Press.
• Bell, David, & Valentine, Gill (Ed.). (1995). Mapping Desire: Geographies of Sexualities. New York: Routledge.
• Blaser, Werner von, & Müller, Lars (Eds.). (2001). Habit-Habitat: Christa de Carouge. Baden, Germany: Lars Müller Publishers.•
• Brossard, Nicole. (Trans. Barbara Godard). (1991). Picture Theory. Montréal: Guernica.
• Buisson, Dominique. (2003). Japan Unveiled: Understanding Japanese Body Culture. London: Hachette Illustrated UK.•
• Butler, Judith. (2004). Undoing Gender. New York: Routledge.•
• Butler, Judith. (1993). Bodies That Matter: On the Discursive Limits of "Sex". New York: Routledge.•
• Butler, Judith. (1990). Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
• Case, Sue-Ellen. (1996). The Domain-Matrix: Performing Lesbian at the End of Print Culture. Bloomington & Indiana: Indiana University Press.
• Chanter, Tina. (1994). Ethics of Eros: Irigaray's Re-Writing of the Philosophers. New York: Routledge.
• Connor, Steven. (2003). The Book of Skin. New York: Cornell University Press.•
• Deleuze, Gilles. (1988). Le pli: Leibnitz et le baroque. Paris: Les Éditions de Minuit.•
• Deleuze, Gilles. (Trans. Tom Conley). (1993). The Fold: Leibniz and the Baroque. Minneapolis: University of Minnesota Press.•
• Diller, Elizabeth, & Scofidio, Ricardo. (1994). Flesh: Architectural Probes. New York: Princeton Architectural Press.
• Doy, Gen. (2002). Drapery: Classicism and Barbarism in Visual Culture. London: I. B. Tauris.
• Elkins, James. (1999). Pictures of the Body: Pain and Metamorphosis. California: Stanford University Press.•
• Fisher, Dominique D., & Fisher, Lawrence R. (Eds.). (1997). Articulations of Difference: Gender Studies and Writing in French. Stanford: Stanford University Press.
• Field, Joanna, & Milner, Marion Blackett. (1983). On Not Being Able to Paint (2nd ed.). London?: Tarcher.
• Fortunati, Leopoldina; Kartz, James E. & Riccini, Raimonde (ed.). (2003). Mediating the Body: Technology, Communication, and Fashion. Mahwah, New Jersey: Lawrence Erlbaum & Associates.
• Geary, James. (2002). The Body Electric: An Anatomy of the New Bionic Senses. London: Weidenfeld & Nicolson.
• Green, Eileen, & Adam, Alison (Eds.). (2001). Virtual Gender: Technology, Consumption and Identity. London and New York: Routledge.
• Grosz, Elizabeth. (1994). Volatile Bodies: Toward a Corporeal Feminism. Bloomington and Indianapolis: Indiana University Press.•
• Haenlein, Carl (Ed.). (1997). Rebecca Horn: The Glance of Infinity. New York, New York: Kestner Gesellschaft.
• Hocquenghem, Guy; Weeks, Jeffrey. (1978). Homosexual Desire. Durham, NC: Duke University Press.•
• Holtzmann Kevles, Bettyann. (1997). Naked to the Bone: Medical Imaging in the Twentieth Century. New Brunswick, New Jersey: Rutgers University Press.
• Ihde, Don. (2001). Bodies in Technology. Minnesota: University of Minnesota Press.
• Ingram, Jay. (2005). Theatre of the Mind: Raising the Curtain on Consciousness. Toronto: HarperCollins Publishers.•
• Irigaray, Luce. (1992). Elemental Passions. Trans. Joanne Collie and Judith Still. New York: Routledge.•
• Ishioka, Eiko. (1990). Eiko on Eiko: Eiko Ishioka, Japan’s Ultimate Designer. Chronicle Books: San Francisco, California.•
• Ishioka, Eiko. (2000). Eiko on Stage. New York: Callaway.•
• Kay, Kerwin, et al (Eds.). (2000). Male Lust: Pleasure, Power, and Transformation. New York: Harrington Park Press.
• Kitamura, Takahiro, & Kitamura, Katie M. (2001). Bushido: Legacies of the Japanese Tattoo. Atglen, Pennsylvania: Schiffler Publishing Ltd.•
• Kristeva, Julia. (1982). Powers of Horror: An Essay on Abjection. New York: Columbia University Press.
• Kristeva, Julia. Toril Moi (Ed.). (1986). The Kristeva Reader. Oxford: Blackwell Publishers.
• Kubota, Itchiku. (1984). Opulence: The Kimonos and Robes of Itchiku Kubota. Japan: Kodansha International. •
• Lee, Adrian. (2003). Suits Made to Fit. San Jose: NewSkool.•
• Lehndorff, Vera, & Trülzsch, Holger. (1986). 'Veruschka': Trans-figurations. New York: Little, Brown and Company.
• Lingis, Alphonso. (1983). Excesses: Eros and Culture. Albany: State University of New York.
• Lupton, Ellen et al. (2002). Skin: Surface, Substance, and Design. New York: Princeton Architectural Press.•
• Marks, Laura U. (2000). The Skin of the Film: Intercultural Cinema, Embodiment and the Senses. Durham and London: Duke University Press.
• Merleau-Ponty, Maurice. (1964). The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Art, History, and Politics. Evanston, Illinois: Northwestern University Press.•
• Merleau-Ponty, Maurice (1962, 2nd ed. 2002). Phenomenology of Perception. London: Routledge.•
• Merleau-Ponty, Maurice. (1979). Le visible et l'invisible, suivi de Notes de travail. Paris: Éditions Gallimard.•
• Merleau-Ponty, Maurice. (1968). The Visible and the Invisible. Evanston, Illinois: Northwestern University Press.•
• Minsky, Rosalind. (1996). Psychoanalysis and Gender: An Introductory Reader. London: Routledge.•
• Miyake, Issey. (1998). Issey Miyake Making Things. Paris, France: Fondation Cartier pour l’art contemporain.•
• Nelson, Randall J. (2002). The Somatosensory System: Deciphering the Brain's Own Body Image. Boca Raton, Florida: CRC Press.
• Perry, Gillian (Ed.). (1999). Gender and Art. New Haven & London: Yale University Press/Open University.
• Phelan, Peggy. (1993). Unmarked: The Politics of Performance. London and New York: Routledge.
• Phillips, Kim M., & Reay, Barry (Eds.). (2002). Sexualities in History: A Reader. New York: Routledge.•
• Pitts, Victoria L. (2003). In the Flesh: The Cultural Politics of Body Modification. New York: Palgrave Macmillan.•
• Scarry, Elaine. (1987). The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press.•
• Schechner, Richard. (1985). Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.•
• Shozo, Tsurumoto (Ed.). Issey Miyake Bodyworks. Tokyo, Japan: Shogakukan, 1983.•
• Sobchak, Vivian. (2004). Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley, California: University of California Press.•
• Springer, Claudia. (1996). Electronic Eros: Bodies and Desire in the Postindustrial Age. Austin, Texas: University of Texas Press.
• Taylor, Mark C. (1997). Hiding. London, England: Columbia University Press. (Web feature: http://www.press.uchicago.edu/Misc/Chicago/791599.html)•
• Tschachler, Heinz, Devine, Maureen & Draxlbauer, Michael (Eds.). (2004). The Embodyment of American Culture. Münster, Denmark: Lit Verlag.
• Tsiaras, Alexander, & Worth, Barry. (2004). The Architecture and Design of Man and Woman: The Marvel of The Human Body, Revealed. New York, London, Toronto, Sydney, Auckland: Doubleday.

Film

• Greenaway, Peter (director). (1997). The Pillow Book. Columbia/Tristar Studios.•
• Takabayashi, Yoichi (director). (1983). Irezumi. Pacific Arts Video.

Papers

• Levinson, Stephen. (2001). Place and space in the sculpture of Anthony Gormley - An anthropological perspective. In S. Daniel McElroy (ed.), Some of the facts (pp. 68-109). Tate Gallery St. Yves.
• Hansen, Mark. (2001). "Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies", Critical Matrix: The Princeton Journal of Women, Gender and Culture. Vol. 12 (1-2) Making Sense, pp. 112-147. (accessed April, 2003).
• Paterson, Mark. (2000). "How the world touches us: everyday embodied tactile-spatial experience" (Departmental working paper, University of Bristol). (accessed December, 2004).

Websites

body casting: plaster, latex, alginate and silicone

• Antony Gormley artist website. (accessed October, 2003).
  http://www.antonygormley.com/menu.htm
• Antony Gormley - BBC audio interviews. (accessed October, 2003).
  http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/gormleya1.shtml
• Life Casting Centre. (accessed April, 2003).
  http://www.artmolds.com/gateway/studio/catalog/supplies/lifecasting_plaster_gauze.htm
• Latex makeup links. (accessed April, 2003).
  http://www.just-make-up-links.com/fx_latex_make_up.html
• The Essential Survival Guide's Idiot proof latexing!. (accessed April, 2003).
  http://www.candlemaking.org.uk/latexing.html
• W.P. Notcutt Ltd - Mould-making materials and casting resins. (accessed April, 2003).
  http://www.notcutt.co.uk
• Mould Making With Latex and Rubber. (accessed April, 2003).
  http://www.mouldmaking.freeserve.co.uk/indexlinks.html
• Life Casting Web Ring: List of Sites. (accessed April, 2003).
  http://J.webring.com/hub?sid=&ring=Lifecasting&id=&list

body modification | adornment | scarification | tattoo | piercing | painting | jewellery

• Bodies of Cultures. University of Pennsylvania Museum of Archaeology and Anthropology. (accessed April, 2003).
  http://www.upenn.edu/museum/Exhibits/bodmodintro.html
• NewSkool Tattoo. (accessed November, 2003).
  http://www.newskooltattoo.com/index.html

body visualization

• Digitized Bodies: Virtual Spectacles. (accessed April, 2003).
  http://digibodies.org/
• ~ftp_formless_anatomy. (accessed April, 2003).
  http://rhizome.org/artbase/1699/files/formless.html
• Center for Human Simulation, University of Colorado. (accessed April, 2003).
  http://www.uchsc.edu/sm/chs/
• The Virtual Human. (accessed April, 2003).
  http://www-unix.mcs.anl.gov/~hudson/htmlbase/vhuman.html
• Vesalius Project. (accessed April, 2003).
  http://cpmcnet.columbia.edu/vesalius/
• Splatter Image and Movie Gallery. (accessed April, 2003).
  http://www.sdsc.edu./MPIRE/
• VOXEL-MAN Gallery. (accessed April, 2003).
  http://www.uke.uni-hamburg.de/institute/imdm/idv/gallery/
• Virtual Anatomy Explorer (Cosmo Player plugin required). (accessed April, 2003).
  http://www.med.uni-giessen.de/ipl/vae.html
• Guided Tour: Visible Human. (accessed April, 2003).
  http://www.madsci.org/~lynn/VH/
• Human Body Adventure. (accessed April, 2003).
  http://vilenski.org/science/humanbody/hb_html/skin.html
• Einstein's Brain Project. (accessed April, 2003)
  http://www.acs.ucalgary.ca/~einbrain/

mannequins

• TORSO: The House of Mannequin. (accessed April, 2003).
  http://www.thomannequin.com.sg/content4.htm
• Tebo Store Fixtures. (accessed April, 2003).
  http://www.TeboStoreFixtures.com/html/products.php?categories_id=11&subcategories_id=198
• Manne-King (mannequins). (accessed April, 2003).
  http://www.manne-king.com/index1.cfm
• Alpha Store Fixtures. (accessed April, 2003).
  http://www.storefixtures2000.com/Mannequins/system_mannequins__male.htm
• Male Mannequins. (accessed April, 2003).
  http://www.winelady.com/records/hats/wigs/malemannequins.html
• MannequinLand. (accessed April, 2003).
  http://www.mannequinland.com/malemannequin.htm
• Design for Wearability. (accessed April, 2003).
  http://www.ices.cmu.edu/design/wearability/
• Scan: concept for interactive art. Market Art. (accessed April, 2003).
  http://www.marketart.net/projects/4.htm

masks

• Japanese Noh Masks. (accessed April, 2003). Collection of traditional carved Japanese Noh masks.
  http://www.iijnet.or.jp/NOH_MASK/
• The Mask in the Theatre: The History of the Use of Masks in Performance Art and links on masks.
  http://arttech.about.com/library/weekly/aa110598.htm?once=true&
• Masks. (accessed April, 2003). Article on masks from the Milwaukee Public Museum.
  http://www.mpm.edu/collect/mask.html
• Masks.org. (accessed April, 2003). Research library and mask galleries.
  http://www.mask.org/
• Transformation Mask. (accessed April, 2003). Learn about Richard Hunt, a contemporary Kwakiutl artist from BC.
  http://www.artsconnected.org/artsnetmn/inner/hunt.html
• Cleverfool Masks. (accessed April, 2003). Theatre of the Fool; creations for festivals, parades and theatrical events by Patrick Duffy.
  http://www.cleverfool.com/
• Masks from Charlotte's Web of Illusion. (accessed April, 2003). Illusion Hallowe'en type masks.
  http://www.illusionmasks.com/
• The Merchant of Venice. (accessed April, 2003). Leather masks.
  http://www.angel-mask.com/movindex.htm