Meredith Quartermain's Vancouver Walking won the BC Book Award for Poetry in 2006, and Nightmarker was a finalist for the 2009 Vancouver Book Award. Matter, which came out in 2008, has been described as "prescient, daring." Her work has appeared in magazines across Canada including The Walrus, Canadian Literature, the Literary Review of Canada, Matrix, The Capilano Review, West Coast Line, filling Station, Prism International, and other magazines. She taught English Literature and Composition at UBC and Capilano College, and has enjoyed leading workshops at the Naropa Summer Writing Program and the Kootenay School of Writing. In 2002, she and husband Peter Quartermain founded Nomados Literary Publishers, through which they've published more than 30 books of innovative writing.
Praise for Nightmarker and Matter
Dalhousie Review: Eco-poetic works, in their move towards an abandonment of the self, reach sites of experimentation that are among the most radical in recent poetry. Perhaps the two most noteworthy titles in this respect are those published by Meredith Quartermain in 2008. . . . The poems of Matter are prescient, daring, and push readers to unthink the things that they think even as they read. Similarly, the prose poems of Quartermain's Nightmarker explore humankind as, itself, a sprawling city of impulses. . . . Quartermain's experiments in undoing the knot of human understanding force us to ask questions like "what could Canada mean to Pangaea?" . . . undercutting our sense of ourselves as animals imbued with anything to set us apart from the remainder of infinity. Kit Dobson
Canadian Literature on Nightmarker: click here for review
Praise for Matter
Toronto Star: In one poem, she refers to "a quaggy wild / around Man's island of sense." That "quaggy wild" is exactly where this inventive poet sets up shop, blurring the division between animate and inanimate, and fabricating her own brand of metaphysics for understanding how the world works. Barbara Carey
Praise for Vancouver Walking:
Globe & Mail: Packing a centuries-wise arsenal of research, Quartermain's poetic tour . . . reads the downtown's every street sign and historical plaque to invoke not vagaries of weather or a sensitive narrator's emotional landscape, but the lived epic of how specific native soil became appropriated to a condition of contemporary real estate. Margaret Christakos
Monday Magazine: With Vancouver Walking, Meredith Quartermain enters the esteemed literary company of George Bowering, Daphne Marlatt, Frank Davey, Jeff Derksen and others who have written the multitudinous city, exploring Vancouver as a moving target for poetry. . . . Under Quartermain's gaze, even the most local Vancouver story becomes a link to the greater world, transforming the city into a cosmopolis made of the mad whirls of history, in constant motion with the fates of its living (and long dead) millions. Marc Christensen
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Interview with Rob Mclennan (2008): 12 or 20 Questions
Interview with Rob Mclennan (2004): Alterran Poetry Assemblage (scroll to bottom)
Videos of Meredith Quartermain's poetry are available: sgornall@telus.net
Interview by Aaron Peck (2003)
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Selected Publications
Books, Chapbooks & Broadsides
Nightmarker (NeWest 2008) finalist for the 2009 Vancouver Book Award
Matter (BookThug 2008)
Vancouver Walking (NeWest 2005) Winner 2006 BC Book Award for Poetry
“Walking cinemas, civic memory tours, these poems are sites for the eruption of public history chronically denied but there as trace in the very names that mark our streets. Meredith Quartermain's observant eye tracks what underlies or surrounds our daily routine, she sees what routine blinds us to, and in the process constructs some wonderfully trenchant slices of contemporary city life.” —Daphne Marlatt
“In Vancouver Walking Meredith Quartermain sights the coordinates of tangible and historical attentions as she moves through an amazement of place and language. The word here is foot and eye, step by step, crisscrossing the city with the grids and layers of its own minute particulars and articulating the truth of the imagination, the dynamics of the intersect. These poems listen carefully to the yearning of place, the kind of naming a city answers to.” —Fred Wah
Click here to read "Frances Street"
Highway 99 (Stanzas 35; Above Ground 2003)
The Eye-Shift of Surface (Greenboathouse Books 2003) rob mclennan's Review
A Thousand Mornings (Nomados 2002)
Meredith Quartermain has really struck gold with A Thousand Mornings, a serious-playful and engaging work in which she weighs and sounds what presents itself outside a real window, inside language, and through verbal-emotional associations. Written in pointillist phrases, diaristic, notational, associative, punning, funning and just following any track, the work sits down to itself: to the world, and to the self in time. It considers all the little bits and details of domestic life and the thinking these can engender. "Looking out of the window of my room is a window looking out my head." This work creates an osmotic border between seeing and writing, a realist hypnogogic passage between memory and today, between outside and inside, between now and then. That anywhere is everywhere is proven once again with this brave, enchanting book. Rachel Blau DuPlessis
[with Robin Blaser] Wanders (Nomados 2002) Ron Silliman's Review
An amazing, even jaw dropping performance . . . . her poems absolutely stand up to the challenge of Blaser's own . . . . The sum of it is totally exhilarating. . . . Ron Silliman
Inland Passage (housepress 2001)
Spatial Relations (Diaeresis 2001)
Veers (Backwoods Broadsides 1998)
Abstract Relations (Keefer Street 1998)
Terms of Sale (Meow 1996)
Magazines & Anthologies
"He imagined a seawall," Matrix 84 (fall 2009): 19
“Canada,” “The Plackener,” “Directors Change Directions,” and “Heat Haze” Dandelion 34:2 (2009): 84-87
“Cathedral” and “Scaffolding,” A Verse Map of Vancouver, ed. George McWhirter. Vancouver: Anvil, 2009: 92 and 104
“Clouds,” “Wind,” “Frost” and “Sun” Windsor Review 42:1 [Windsor] (Spring 2009): 16-19
“Delicacy” and “Victory Square” to topoz Poetry International [Poverty and Poetry] (Fall 2008): 74, 75.
"Future Past," Rocksalt: An Anthology of Contemporary B.C. Poetry.
Ed. Mona Fertig & Harold Rhenisch (Mother Tongue 2008)
"The Wife of Gassy Jack" and "On my way to the overpass" West Coast Line [Roy Miki issue] (Spring 2008)
"Six Microfictions" Golden Handcuffs Review 1:10 (Summer-Fall 2008)
"Song of the Dodo," The Capilano Review 3:4 (Winter 2008)
"Bird City," The Walrus (Jan/Feb 2008)
"Banking," "Rain," "Islands," and "My Library," Windsor Review 40:2 (Fall 2007)
"Apprehensions," West Coast Line 54 (2007) [10 poems accompanying 10 photo/drawings by Rhoda Rosenfeld]
"Matter 15: Water and air words evaporate" in Philip Coleman, ed. On Literature and Science (Dublin: Four Courts Press, 2007)
"Queen Dreams," "Scaffolding," "Her Majesty Versus Murdock," and "Hacky Sack," The Capilano Review 3.1&2 (2007)
"Brain Coral," "Omnibus," "Defiance" and "A Piece of Cake," Event Magazine 35:2 (2006)
"Oliver Chronicle," CV2 28:4 (Spring 2006) rpt
"Proclamation," "Baptizing Mars," "Fireground," and "Homer Street," Golden Handcuffs Review 1:7 (2006)
"Matter 4: Organic in-organs," "Matter 6: The Hard Seed-halves of Softness," "Matter 9: To texture to verb," and "Matter 10: A World-thing, a State of Powder" Green Integer Review 2 (2006)
"Walk to commercial drive," West Coast Line 47: Unfinished Business: Photographing Vancouver Streets 1955 to 1985 (2005)
"Asphyxiation" and "A Theory of Fire," Doppelganger Magazine (2005)
"Cartographer at Work" and "Macdonald Bus," Stylus Poetry Journal (2005)
"Matter 2: World" and "Matter 8: A Glass House of Scaffolding," Moosehead Anthology 10: Future Welcome (2005)
"Oliver Chronicle," 71(+) for GB: an Anthology for George Bowering (2005)
"Pacific Northwest," Literary Review of Canada (April 2005)
"A Coronal for L.N." Court Green 2 (2005)
Five pieces from Northwest Passage, Windsor Review 37:2 (Fall 2004)
"Record," filling Station 32 (2004)
Four pieces from A Thousand Mornings, P-Queue 1 (2004)
Seven Poems, Bongos of the Lord 17 (Spring 2004)
"For Robin Blaser," Canadian Literature 180 (Spring 2004)
"Geography," Cranky 2 (Spring 2004)
"First Night," Prism International (Fall 2003)
“Tulip Glass, for Ric Caddel” Jacket 22 (2003)
"The Singe of Language" and "I and Me," Nth Position (fall 2003) Nth Position Link
“History,” “The Pug Dog Next Door,” and “Reverie,” Xerography (2003)
Six Poems from Matter, Ecopoetics 2 (2002)
Three Stories, West Coast Line (Fall 2002)
"'Where’s Here?'" Queen Street Quarterly (Spring 2002)
"Meaning Dreams," Goodfoot 2 (2002)
Two Poems, The Capilano Review 30th Anniversary Issue (2002)
Three Poems from Wanders [with Robin Blaser] Matrix 60 (2001)
"Human Infusoria" Sulfur 44 (1999)
"Existence in Space," Tinfish 8 (Summer 1999)
"From The Book of Words," Five Fingers Review 17 (1998)
"Abstain from Distance" and "Wall Music," Raddle Moon 17 (1998)
Eight Poems, The East Village Poetry Web
"Linearity" and "Expansion and Contraction," Potepoetzine 17
Essays
"Irony's Rhyme" [on Sharon Thesen] The Capilano Review 3:5 (Spring 2008)
"Irony's Eye: David Bromige" Golden Handcuffs Review 1:10 (Summer-Fall 2008)
“Innocent Looking Faces: Typography at (m)Öthêr Tøñgué Presš and Greenboathouse Books” Open Letter (Fall 2004)
Postscript: On Klaus Scherübel (Artspeak 2004)
"Gertrude Stein," Dictionary of Literary Biography: American Poets (1880-1945), Volume 54: Third Series, Part 2 (Detroit: Gale Research, 1987)
Reviews and Other Writings
[Review] Reimagining Canadian Poetry: Writing in Our Time: Canada's Radical Poetries in English (1957-2003) by Pauline Butling and Susan Rudy. Poetic Front (Spring 2009). http://journals.sfu.ca/poeticfront/index.php/pf/article/viewFile/22/20
[Review] Surfing the Fragments: Transversals for Orpheus & the untitled 1-13 by Garry Thomas Morse; A few Words Will Do by Lionel Kearns; ths is erth thees ar peopul by bill bissett Canadian Literature 198 (Autumn 2008).
[Review] Poetry Weather: Nerve Squall by Sylvia Legris; The Silver Palace Restaurant by Mark Abley; Ink Monkey by Diana Hartog; Re:Zoom by sheri-d wilson Canadian Literature 193 (Summer 2007).
[Review] Reimagining Canadian Poetry: Writing in Our Time: Canada's Radical Poetries in English (1957-2003) by Pauline Butling and Susan Rudy. Literary Review of Canada (December 2005).
[Review] Are You One of Canada’s Embarrassing Poets?: poets talk: Conversations with Robert Kroetsch, Daphne Marlatt, Erin Mouré, Dionne Brand, Marie Annharte Baker, Jeff Derksen and Fred Wah, by Pauline Butling and Susan Rudy. Terminal City, March 12, 2005.
[Review] Lyrical Prose: Discrete Categories Forced into Coupling by Kathleen Fraser Jacket 26 (2005).
[Review] A Song in Murderous Time – The Poetry of Richard Caddel, Ecopoetics 4/5(2004-2005).
[Review] Round About Seeing: Around Sea, by Brenda Ijima Jacket 25 (2004)
[Review] Undecorating the Lyric: Word Group, by Marjorie Welish Jacket 25 (2004)
[Review] Words for Darkness: Writing in the Dark by Richard Caddel Jacket 25 (2004)
[Review] Minesweep: Paravane: New and Selected Poems 1996-2003 by Frances Presley Jacket 25 (2004)
[Review] Wanted: The Author: Jill Hartman, A Painted Elephant; derek beaulieu
with wax; Kimmy Beach, Alarum Within: Theatre Poems. Canadian Literature, Online (2004).
[Review] "Lyric Capability: the Syntax of Robin Blaser" Jacket 22 (2003); Capilano Review (Fall 2003)
[Review] "Un-identified Selves: Denise Riley on Writing Others who Write Us" West Coast Line (Winter 2001-02)
[Review ] A Key into the Language of America by Rosmarie Waldrop and Mars by Norma Cole, West Coast Line (Fall 1995)
[Review] A Poetics by Charles Bernstein, West Coast Line (Winter 1992-93)
[Review] The Black Debt by Steve McCaffery, West Coast Line (Fall 1991)
[Radio Interview] Colin Browne on The New Poetics Colloquium, for Monitor on CBC (broadcast 12 October 1985)
[Radio Interview] Daphne Marlatt on "Ana Historic," for Monitor on CBC (broadcast 30 November 1985)
Not For Ourselves Alone: 50 Years At York House School, 1932-1982 (York House School, 1983)
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