New Papers & Texts

• Sound, Listening and Place: The Aesthetic Dilemma, Organised Sound 17(3), 2012.
  
  
• Soundscape Composition as Global Music: Electroacoustic Music as Soundscape, Organised Sound 13(2), 2008.
  
  
• “A Voice for All Seasons,” in C. Lane, ed. Playing with Words, CRISAP/RGAP, 2008.
  
  
• The Analysis of Electroacoustic Music as Soundscape, EMS07 Conference, De Montfort University, Leicester, UK, June 2007.
  
  
• Artist Presentation, The Art of Immersive Soundscapes, University of Regina, June 2007.
  


• Electroacoustic Music and the Visual, Academy of Electroacoustic Music text, Bourges, June 2005.
  
  
• Music and Science Meet at the Micro Level: Time-Frequency Methods and Granular Synthesis, Musica Viva conference, Coimbra, Portugal, September, 2003.
  
  
• Homoeroticism and Electroacoustic Music: Absence and Personal Voice, Organised Sound, 8(1), 2003.
  
  
• Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University, Organised Sound, 7(1), 5-14, 2002.

• STRETCHING TIME STRETCHING SOUND, Musicworks Cover Article, no. 79, Spring 2001.
  

• "Composition and Diffusion: Space in Sound in Space," Organised Sound, 3(2), 141-6, 1999.

• TIME AND ELECTROACOUSTIC MUSIC, Academy of Electroacoustic Music text, Bourges, June 1999.
  
  
• Feature Article, "In Person" : The Globe and Mail, Sept. 12, 1998
  
  
• MODELS AND STRATEGIES FOR ACOUSTIC DESIGN, Acoustic Ecology Conference paper, Stockholm, June 1998.
  
  
• LETTER TO A 25-YEAR OLD ELECTROACOUSTIC COMPOSER, Academy of Electroacoustic Music text, Bourges, June 1998.
  
  
• LISTENING AND THE ELECTROACOUSTIC COMMUNITY, Ganzohr Symposium text, Kassel, Sept. 1997.
  
  
• COMPOSITION & DIFFUSION: SPACE IN SOUND IN SPACE, Academy of Electroacoustic Music text, Bourges, June 1997.
  
  

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