New Papers & Texts
comments on any of these articles are welcomed: truax@sfu.ca
Sound, Listening and Place: The Aesthetic Dilemma
,
Organised Sound
17(3), 2012.
Soundscape Composition as Global Music: Electroacoustic Music as Soundscape
,
Organised Sound
13(2), 2008.
“
A Voice for All Seasons
,” in C. Lane, ed.
Playing with Words
, CRISAP/RGAP, 2008.
T
he Analysis of Electroacoustic Music as Soundscape
, EMS07 Conference, De Montfort University, Leicester, UK, June 2007.
Artist Presentation
, The Art of Immersive Soundscapes, University of Regina, June 2007.
Electroacoustic Music and the Visual
,
Academy of Electroacoustic Music text, Bourges, June 2005
.
Music and Science Meet at the Micro Level: Time-Frequency Methods and Granular Synthesis
, Musica Viva conference, Coimbra, Portugal, September, 2003.
Homoeroticism and Electroacoustic Music: Absence and Personal Voice
,
Organised Sound
, 8(1), 2003.
Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University
,
Organised Sound
, 7(1), 5-14, 2002.
STRETCHING TIME STRETCHING SOUND,
Musicworks
Cover Article, no. 79, Spring 2001
.
"
Composition and
Diffusion
: Space in Sound in Space
,"
Organised Sound
, 3(2), 141-6, 1999.
TIME AND ELECTROACOUSTIC MUSIC
,
Academy of Electroacoustic Music text, Bourges, June 1999.
Feature Article, "In Person"
:
The Globe and Mail
,
Sept. 12, 1998
MODELS AND STRATEGIES FOR ACOUSTIC DESIGN
,
Acoustic Ecology Conference paper, Stockholm, June 1998.
LETTER TO A 25-YEAR OLD ELECTROACOUSTIC COMPOSER
,
Academy of Electroacoustic Music text, Bourges, June 1998
.
LISTENING AND THE ELECTROACOUSTIC COMMUNITY
,
Ganzohr Symposium text, Kassel, Sept. 1997.
COMPOSITION & DIFFUSION: SPACE IN SOUND IN SPACE
,
Academy of Electroacoustic Music text, Bourges, June 1997
.
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