École Polytechnique (1990)
For 8 churchbells, mixed choir, bass clarinet, trumpet, percussion,
and two-channel tape.

Length: 19:30

On December 6, 1989 fourteen women were shot to death by Marc Lepine at the École Polytechnique, University of Montreal. A few months later I was invited to write a composition for New Music America 1990 in Montreal. The resulting composition école polytechniqueis dedicated to the fourteen women.

This dedication is the essence of the piece and is what gives the piece its meaning: as a woman and composer I cannot remain silent about this event and the impact it has had on myself and many others. I want to "talk back" to it. I also want to make room to remember it, to feel what needs to be felt, to breathe, to heal, to hope, to transform energies, and to understand the work that is ahead of us. I invite all listeners to take full advantage of this twenty-minute time-span of école polytechnique(a lot longer than it took Marc Lepine to kill 14 women) to listen inward and search for what is sacred, what cannot be compromised,what cannot be allowed to be killed inside us and therefore not in the world. École polytechniqueis meant to provide the sonic/musical environment for such a journey inward.

This piece is also about life and death in a more general sense. It is about human life rhythms, their violent destruction - destroyed with the same kind of violence that creates wars, kills people, abuses children and the natural environment; a violence that is born through violence, where experience of human warmth, compassion and love is missing, where nothing is sacred or worth protecting - and it is about the recovery from such violence, a process of healing. école polytechniqueis like a journey: it takes us from life (symbolized by heartbeat and breath on tape) to violence, death, and aftermath, to the underworld of suffering and mourning, and finally to healing and a renewed energy for life.

On the unusually balmy Saturday of Nov. 3, 1990 école polytechnique was premiered along with A Call to Prayerby Alvin Curran and Alma Materby Claude-Paul Gauthier in a stunning outdoor performance in Montreal during New Music America/Montreal Musiques Actuelles 1990. The piece is written for the eight churchbells in the bell tower of the Université du Quebec a Montréal (UQAM), for the UQAM choir, directed by Miklos Takacs. Additional performers were Lori Freedman on bass clarinet, Lisa Rodrigue and Veronique Luciguano on trumpets, Daniel Fortin on percussion and Joanne Latreille played the bells. It was commissioned by New Music America/Montreal Musiques Actuelles 1990. I would like to thank Hal Wake and Jeffrey Dvorkin of CBC Radio, Andre Rheaume and Therese Champagne of Radio Canada for supplying the newscast of the killings, as well as Lori Freedman, Sal Ferreras and Tom Parriot for consultation on the instrumental parts.
"The piece was warmly received by several thousand listeners..."
(Vancouver Sun, Nov. 6, 1990)
"An evocative score in any context, école polytechniqueseemed
to speak with special poignancy to the Montreallers who witnessed
its premiere. In an sense, it spoke for them." (Toronto Star)

"école polytechniqueont su creer une atmosphere enveloppante
qui incitait a l'ecoute... le moment le plus saisissant, le plus
emouvant aussi... Westerkamp a prefere l'usage d'un langage
simple et direct, ce langage n'en demeure pas moins impregne
d'une authentique qualite sonore." (Le Devoir)

"Choral, Public and Private Listener Responses to Hildegard Westerkamp's École Polytechnique"
by Andra McCartney and Marta McCarthy
Music and Arts in Action, Volume 4 Issue 1, 2012

Score for performance available from:

Canadian Music Centre: