Frederik Lesage

• Chow-White, P., Struve, S., Lusoli, A., Lesage, F., Saraf, N., & Oldring, A. (2017). “Warren Buffet is my cousin”: shaping public understanding of big data biotechnology, direct-to-consumer genomics, and 23andMe on Twitter. Information, Communication & Society, 0(0), 1–17. 
•  Lesage, F. (2017). Popular Digital Imaging: Photoshop as Middlebroware. In Malinowska, A., & K. Lebek (Eds.), Materiality and Popular Culture: The Popular Life of Things (pp. 76–87). London: Routledge.
• Lesage, F. (2016). Blast Theory: Playing with publics. In Bianchini , S., & E. Verhagen (Eds.), Practicable: From Participation to Interaction in Contemporary Art a book project supported by the Association Nationale de Recherche de France. Boston: MIT Press.
• Lesage, F. (2016). Reviewing Photoshop: Mediating cultural subjectivities for application software. Convergence: The International Journal of Research into New Media Technologies, 22(2), 215–229. 
•  Lesage, F. (2015). Middlebroware, Fiberculture. FJC 182. 
• Lesage, F. (2015). “A Cultural Biography of Application Software”, in Paterson, C., D. Lee, A. Saha, & A. Zoellner (Eds.), Advancing Media Production Research: Shifting Sites, Methods, and Politics (pp. 217–232). London: Palgrave McMillan.
• Lesage, F. & Rinfret, L. (2015). Shifting Media Imaginaries of the Web. First Monday, 20(10). Retrieved from 
• Lesage, F. & Smirnova, S. (2015). “Keeping up” through Teaching and Learning Media Software: “Introducing” Photoshop. Canadian Journal of Communication, 40(2), 223–241.
• Lesage, F. & Hackett, R.. (2014) “Between Objectivity and Openness—the mediality of data journalism”, Media & Communication, 2(2), pp. 42-54. 
• Lesage, F. & Hackett, R.. (2013) “Between Objectivity and Openness—the mediality of data journalism”, Media & Communication, 1(1), pp. 39-50. 
• Lesage, F. (2013). “The Artist as User, the Artist as Designer”, International Journal of Arts and Technology, 6(2), pp. 152-166.
• Lesage, F. (2013). “Cultural Biographies and Excavations of Media: Context and process”, Special Issue: Emerging Digital Methods, Journal of Broadcasting and Electronic Media, 57(1), pp. 81-96.
• Lesage, F. (2011). “Telepresence and its transparent infrastructures”, Digital Creativity, 22(2), pp. 103-114.
• Marshall, J., Airantzis, D., Angus, A., Bryan-Kinns, N., Fencott, R., Lane, G., Lesage, F., Martin, K., Roussos, G., Taylor, J., Warren, L., Woods, O. (2010). “Sensory Threads”, Leonardo 43(2), pp. 196-197.

Poyntz, S. R., & Lesage, F. (2016). Television and the meaning of “live”: An enquiry into the human situation, by Paddy Scannell. Popular Communication, 0(0), 1–4. 

Lesage, F. (2012). Review: Alien Phenomenology, or What It's Like to Be a Thing (2012) by Ian Bogost, Culture Machine. October 2012. 

• Canadian Media Fund Trend Blog contributor.
• Measure Once, Cut Twice : a case study of Snout by Frederik Lesage
• Telling Worlds: a critical text
  
• For more publications, please consult my Academia.edu profile: https://sfu.academia.edu/FrederikLesage