Lucy Lippard is an internationally known writer, activist and curator. She has written more than twenty books, has curated more than fifty major exhibitions, and holds nine honorary doctorates of fine arts. Her books include The Lure of the Local, Partial Recall, The Pink Glass Swan, Mixed Blessings, On the Beaten Track, Overlay, and Undermining, all published by The New Press. Lippard is the recipient of numerous awards, most recently the Carolyn Bancroft History Prize from the Denver Public Library and grants from Creative Capital and the Lannan Foundation. She lives in New Mexico.
Talk by Lucy Lippard
Saturday, October 15, 7:00PM, Djavad Mowafaghian Cinema, Goldcorp Centre for the Arts, 149 W. Hastings St.
Through writing, curating, and social and cultural activism, Lucy Lippard has brought awareness to the relationship between the context and conditions of an artwork's production, presentation and circulation. Her writing and exhibitions express how social movements such as feminism and Indigenous sovereignty have shifted how we interpret and value art objects and gestures. In turn, the inauguration of new artistic forms and processes such as performance and text art influence how we relate and respond to political pressures.
Lippard's most recent publication Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West expands from her experience living and working in New Mexico since the 1990s. The book explores the entangled economies, politics and cultural values of fracking, mining, Indigenous land and water rights, eco-tourism, public art, architecture and sacred sites, among others. The book unfolds from her earlier writing on place-based art, conceptualism and land art, to more deeply explore the broad impacts of development and progress in the twenty-first century.
Vancouver and British Columbia are part of the same "changing west" that Lippard writes about, and the forces at play in our political and economic landscape bear the same burdens on Indigenous rights, ecological health and cultural values. Her public talk on Undermining at SFU continues the relationship she has had with Vancouver for over four decades. She curated the exhibition 955,000 in 1970 at the Vancouver Art Gallery and offsite locations, and she recently contributed to the catalogue for Lawrence Paul Yuxweluptun: Unceded Territories at the Museum of Anthropology.