Fall 2017 - EDUC 945 G001

Doctoral Seminar in Arts Education (5)

Class Number: 4537

Delivery Method: In Person

Overview

  • Course Times + Location:

    Sep 5 – Dec 4, 2017: Tue, 4:30–9:20 p.m.
    Burnaby

Description

CALENDAR DESCRIPTION:

The course provides a broad theoretical overview of problems and ideas associated with the nature and provision of arts education in the schools.

COURSE DETAILS:

A keyword for this course could be the verb “to situate.” That is, the course is designed to help you
‘situate’ yourself in 5 key domains:
i- in your values, beliefs, and practices about art and aesthetics;
ii- in your values, beliefs, and practices about learning and teaching;
iii- in the contemporary, historical, and cross-cultural conversations and contexts regarding
art and aesthetics;
iv- in the historical and contemporary conversations and contexts regarding scholarship;
v- in the various streams of inquiry that you wish to pursue.

COURSE-LEVEL EDUCATIONAL GOALS:

As a seminar, this course is intended to provide a space for us to share and explore ideas with each
other. This means that much of our ‘content’ or ‘curriculum’ could be determined by what each of us
wants to bring to the table. There will, of course, be some key themes on offer, some orienting ideas,
and some readings (both articles and some books) to assist us in this journey. But as well, my hope
and aim is that we can create a space where we all can contribute to a mutually supportive, inquisitive,
creative, scholarly community


As well, this course is designed to provide room for you to explore, propose and even begin to
develop a line of inquiry that you might undertake through the program. Toward that end we will
spend some time discussing your personal hopes and aims, notions of research and inquiry, and the
contexts and conditions of engaging in institutional, and extra-institutional, scholarship in our times.
On a more pragmatic level, as this will be the first course in your program, we will spend time
revisiting, re-engaging with, and ruminating over ideas about scholarship and study, along with the
nuts and bolts of doctoral work, in order to lay some groundwork for supporting your journey through
the program.
Some Possible Activities
- “An Idea & An Issue” (personal presentation)
- Tracings of an Intellectual Autobiography/On the Lineage of our Ideas (personal inquiry &
presentation)
- Mapping one’s personal aesthetic (personal inquiry & presentation)
- Exploring a historical/cross-cultural aspect of art/aesthetics/education (small group presentation)
- Book Club/Journal Club (small group activity)
- A Glossary of Keywords (personal collection of terminology and concepts to unpack and keep in
mind)
- “Creating a path by walking” (personal research ideas)
- “This is where I stand, and What I see from here” (a tentatively summative personal statement of
sorts at the end of term)
- End of term Poster Session and Roundtable Discussion
Attendance at all classes is important, indeed, it is essential (please let me know in advance if you have
to miss a class, so we can discuss options for keeping up with the flow)

Grading

  • “An Idea & An Issue” (personal presentation) 10%%
  • Tracings of an Intellectual Autobiography/On the Lineage of our Ideas (personal inquiry & presentation) 10%%
  • Mapping one’s personal aesthetic (personal inquiry & presentation) 10%%
  • Exploring a historical/cross-cultural aspect of art/aesthetics/education (small group presentation) - Book Club/Journal Club (small group activity) 10%%
  • A Glossary of Keywords (personal collection of terminology and concepts to unpack and keep in mind) 20%%
  • “Creating a path by walking” (personal research ideas) 20%%
  • “This is where I stand, and What I see from here” (a tentatively summative personal statement of sorts at the end of term) 20%%
  • End of term Poster Session and Roundtable Discussion: ungraded

NOTES:

Dates for the Course
September 12 September 19 September 26
October 3 October 10 October 17 October 24 October 31
November 7 November 14 November 21 November 28
December 5 (to be discussed)

Materials

REQUIRED READING:

Syllabus, Readings, Themes
A more detailed syllabus, with specific readings, themes, and activities, week by week, will be made
available in our first two weeks of class, some of which will be determined by us as a group. Most of
our readings will be posted on the SFU course support site, Canvas, or will be found online through
other open sources.

Graduate Studies Notes:

Important dates and deadlines for graduate students are found here: http://www.sfu.ca/dean-gradstudies/current/important_dates/guidelines.html. The deadline to drop a course with a 100% refund is the end of week 2. The deadline to drop with no notation on your transcript is the end of week 3.

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS