Summer 2018 - EDUC 843 G031

Embodiment and Curriculum Inquiry (5)

Class Number: 3508

Delivery Method: In Person

Overview

  • Course Times + Location:

    Location: TBA

Description

CALENDAR DESCRIPTION:

The scholarship on embodiment and its implications for the body as a site for knowledge and its relationship to contemporary curriculum inquiry will be studied with specific emphasis on the area of performative and narrative inquiry and arts education. Central to this course will be the investigation of embodiment from both a philosophical perspective and a literary/poetic perspective. Equivalent Courses: EDUC712

COURSE DETAILS:

Meeting Days/Times:
Fridays, 5:00 - 9:00 pm
Saturdays, 9:00 am - 4:30 pm

Meeting Dates:
May 11/12*, Jun 1/2*, Jun 22/23, Jul 13/14 and Jul 27/28

Meeting Location(s):
515 West Hastings St, Vancouver - SFU Harbour Centre Campus
Room 1530 (*except Saturday May 12 and Jun 2)
May 12: Room 2235
June 2: Room 2290

Please note we will be at Woodwards in the Dance Studio (GCA 4210) May 12 and Jun 2, Jun 23 from 9:00 - 11:30 to do movement work. We will coordinate exact times in class. We will walk from Harbour Centre.

Field Trips (all of the field trips below are in walking distance from Harbour Centre, and we will walk from class). UBC Botanical Garden students will arrive there on their own.  
Saturday May 12   Walking through the senses at the Seawall (afternoon) Saturday,
June 2     Dr. Sun Yat-Sen Chinese Classical Garden   (afternoon) Saturday
June 23   Vancouver Art Gallery, Bill Reid Art Gallery (afternoon) Saturday
July 14     UBC Botanical Garden (morning)

COURSE-LEVEL EDUCATIONAL GOALS:

This course will examine the scholarship on embodiment and its implications for the body as a site for knowledge and its relationship to contemplative education, specifically in the area of embodied ways of inquiry. Central to this course will be to look at embodiment from a philosophical perspective, a literary/poetic perspective and a visceral perspective rooted in movement, dance, walking and physicality in a variety of forms, and even our limitations. Particular attention will be given to the relationship between philosophies of the body and their relevance to us as researchers, educators, artists, and human beings. The mind-body dualism will be examined and its impact on how research is enacted, and how we enter the practice of teaching and reflect on our practice. The notion of "bodily attending" will be developed both for reflexivity, moving, writing, and pedagogy. A major emphasis will concern how an informed understanding of embodiment can have pragmatic influence on the way we experience knowledge and articulate knowledge and its importance for bodily mindfulness. The student will have opportunity to relate the notion of embodiment to his/her particular research and integrate performative, narrative and poetic writing to articulate knowledge, which is situated in bodily experience. The class will integrate galleries, performances, gardens, and the natural world as part of the cultural lens where we will explore issues of embodiment. This course will be take advantage of a variety of venues within the Lower Mainland connected to our collaborative embodied inquiry.

Grading

  • Body Narrative/s 20%
  • Presentation on Chapters 20%
  • Bodygraphy Final piece 50%
  • Class Participation 10%

NOTES:

1. Body narrative 20%

These body narrative pieces will be developed out of exploring the relationship between the body, memory and narrative. This can also consist of prose, poetry, essay, or poetic prose.  DUE: June 18 2.

2. Group presentations on chapters
20%
You will present in groups on the chapters in your text Arts-based and contemplative practices in research and teaching: Honoring presence. You will engage the class collectively in an arts-based practice related to the chapter to deepen the exploration of the ideas from the scholars.    

3. Bodygraphy including presentation 50%
This assignment is your major project that includes your writing, performative work, and growing perceptions/understanding of how the body intersects research, writing, teaching, and aspects of being. There is room within this piece to include various artistic representations, i.e. film, video, dance, drama, reader’s theatre, visual work, poetry, prose, or performance art, as well as essay writing. This assignment combines a significant research inquiry with an oral presentation, so you will present your work to the class. You will be required to pass in an outline, which provides an explanation of what you are presenting. Presentation of your bodygraphy will be done during the last class. This assignment connects to your ongoing process, and is important to start early, and integrate your own autobiographical inquiry and exploration of your embodied knowing and learning. Arts-based practices are encouraged, and writing from the body as ways of creating your bodygraphy. Due:   July 27/28

Bodygraphy is a term that I utilize which is a combination of autobiographical inquiry, embodied ways of inquiry within the umbrella of arts-based educational research methods in order to create an intertextual piece, which expresses the depth of your embodied learning and how it connects to you personally and professionally

Writing from the body practice in and out of class
It will be expected that you write as a group with the class in each session and at certain times bring your writing to the larger group. You will also be expected to write several times a week and bring small segments of your work to the class. You will also be required to take an hour of solitude (bodily mindfulness) a week, which your writing can emerge from. This will be explained during the first class.

NOTES: Each class will consist of lecture, group discussion, writing, practices of physicality as movement/dance, walking, and connection to the natural world. There will be opportunity to integrate site-specific work in different areas of the Lower Mainland. It is important to note that we will often meet in other locations in order to facilitate the connection to physicality and creation as well as access to a dance studio if possible. We may need to negotiate meeting earlier a few times, to accommodate attendance at galleries, performances and field trips. A more detailed list will be sent before class.

Materials

MATERIALS + SUPPLIES:

A journal to write by hand in.

There will be a fee for a gallery visit and performance and small fee for UBC Botanical garden. Please bring student cards.

REQUIRED READING:

Snowber, C. (2016). Embodied inquiry: Writing, Living and Being through the body.  Rotterdam, The Netherlands: Sense Publishing.
ISBN: 978-94-6300-753-5

Walsh, S., B. Bickel, & C. Leggo (Eds.). (2015). Arts-based and contemplative practices in research and teaching: Honoring presence. New York, NY: Routledge.
ISBN: 9781138286740

Friedman, L. & Moon, S. (Eds.) (1997). Being bodies: Buddhist women on the paradox of embodiment. Boston: Shambhala.
ISBN: 9781570623240

Selected Journal articles and chapters.

RECOMMENDED READING:

Abram, David. (1996). The spell of the sensuous: Perception and language in a more- than-human world. NY: Vintage.
ISBN: 0-679-77639-7

Richmond, S. & Snowber, C. (2011). Landscapes of Aesthetic Education. Newcastle upon Tyne, UK: Cambridge Scholars Publishing. (Paperback edition.)
ISBN: 978-1-4438-3192-5

Graduate Studies Notes:

Important dates and deadlines for graduate students are found here: http://www.sfu.ca/dean-gradstudies/current/important_dates/guidelines.html. The deadline to drop a course with a 100% refund is the end of week 2. The deadline to drop with no notation on your transcript is the end of week 3.

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS