Spring 2020 - ENGL 111W D100

Literary Classics in English (3)

Class Number: 1326

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 6 – Apr 9, 2020: Tue, Thu, 10:30–11:20 a.m.
    Burnaby

  • Exam Times + Location:

    Apr 18, 2020
    Sat, 12:00–3:00 p.m.
    Burnaby

  • Instructor:

    Alison Dean
    alison_v_dean@sfu.ca
    Office: AQ 6118
    Office Hours: Thursday 11:30 am - 1:30 pm

Description

CALENDAR DESCRIPTION:

Examines literary “classics”, variously defined, apprehending them both on their own terms and within larger critical conversations. May incorporate the comparative study of work in related artistic fields and engage relevant media trends. Includes attention to writing skills. Students with credit for ENGL 101W may not take this course for further credit. Writing/Breadth-Humanities.

COURSE DETAILS:


FRANKENSTEIN'S MONSTERS

The summer of 1816 was dreary, wet and cold in Europe. An eighteen-year old Mary Wollstonecraft Godwin was travelling in with her lover, Percy Shelley, when the two struck up a friendship with the infamous poet, Lord Byron and his physician, John Polidori. During the course of three rainy days in June, the four friends, plus Mary’s stepsister, Claire Clairmont, found themselves confined by the weather to Byron’s residence, the Villa Diodati near Geneva, entertaining themselves by discussing galvanism and reading ghost stories. When Byron suggested that they each write a ghost story of their own, Mary took up the challenge, eventually writing and publishing one of the most influential novels of all time, Frankenstein; or, the Modern Prometheus. In this course, we will go back to that crucial time period in history, analyzing Frankenstein in relation to the literary, political, scientific and environmental events and movements that influenced its creation. We will also examine the process through which Frankenstein came to occupy such an important role in cultural memory as we study a number of more contemporary works that revisit some of the themes that Frankenstein raises: the ethics of scientific inquiry, the fostering of empathy for socially marginalized individuals, the place of humanity in the natural world, the politics of personhood and reproduction and, of course, the meaning of life. Our journey will take us through a number of different genres as we also consider the legacy of Frankenstein in books, film adaptations, and more.

Grading

  • 3 in-class essays 3 x 20%
  • Extended Revision of an in-class essay 25%
  • Tutorial work 10%
  • Attendance, preparation and participation 5%

Materials

REQUIRED READING:

Philip K. Dick, DO ANDROIDS DREAM OF ELECTRIC SHEEP 


ISBN: 9780345404473

Margaret Atwood, ORYX & CRAKE


ISBN: 9780307398482

Cherie Dimaline, THE MARROW THIEVES


ISBN: 9781770864863

Mary Shelley, FRANKENSTEIN; OR, THE MODERN PROMETHEUS (online text)


All additional essays, stories, and films (including James Whale's The Bride of Frankenstein and Stanley Kubrick's 2001: A Space Odyssey) are will be available through Canvas.

Department Undergraduate Notes:

IMPORTANT NOTE Re 300 and 400 level courses: 75% of spaces in 300 level English courses, and 100% of spaces in 400 level English courses, are reserved for declared English Major, Minor, Extended Minor, Joint Major, and Honours students only, until open enrollment begins.

For all On-Campus Courses, please note the following:
- To receive credit for the course, students must complete all requirements.
- Tutorials/Seminars WILL be held the first week of classes.
- When choosing your schedule, remember to check "Show lab/tutorial sections" to see all Lecture/Seminar/Tutorial times required.

Registrar Notes:

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS