Spring 2025 - CA 217 D100

Introduction to Performance Studies (3)

Class Number: 6467

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 6 – Apr 9, 2025: Mon, 2:30–5:20 p.m.
    Vancouver

  • Instructor:

    Peter Dickinson
    peter_dickinson@sfu.ca
    778-782-3766
    Office: GCA 2845
    Office Hours: By appointment.
  • Prerequisites:

    45 units including one history/theory course within the School for the Contemporary Arts.

Description

CALENDAR DESCRIPTION:

Traces the interdisciplinary origins of performance studies and brings its concepts and methods to bear on dance, music, theatre, performance art, and media performance. Students with credit for CA (or FPA) 311 under this topic may not take this course for further credit. Students with credit for CA (or FPA) 317 may not take this course for further credit. Breadth-Humanities.

COURSE DETAILS:

This course introduces students to the interdisciplinary field of performance studies, a practice-based mode of inquiry that takes performance as both an object of study and a method of analysis. That is, we will examine the creative content and (inter)cultural contexts of a range of “framed” performances (from theatre, dance, music, film, visual art, and beyond); but we will also look at different social events (sports contests and political protests), everyday enactments (such as sharing a meal), and expressive behaviors as performances. Applying foundational readings in performance theory to a broad spectrum of issues, artists, works, and sites, students will also be invited through their assignments and in-class discussions and activities to put into practice many of performance studies’ key methodologies, including ethnographic observation and fieldwork; performance spectatorship and analysis; documentation and reenactment; and research-creation. Throughout the course, and especially in their final projects, students will have opportunities to explore their own artistic/critical research through the lens of performance studies.

Weekly Syllabus

Week 1: What is Performance and What is Performance Studies?
Week 2: Other(ed) Performance Histories: Indigenous, Intercultural, Imperialist
Week 3: Performance as Method: Practice-Based Research (PBR) and SFU
Week 4: Sharing of PBR Discoveries
Week 5: Performance and the City
Week 6: Performane and Ritual: On Sport and Food
Week 7: Performance and Ethnography
Week 8: Performance and Everyday Life: From the Social Self to the Self on Social Media
Week 9: Performativity: From Speech Acts to Identity Acts
Week 10: Performance and the More-than-Human
Week 11: Performance and Protest
Week 12: The Afterlives of Performance: Archives and Repertoires, Documentation and Reenactment
Week 13: Project Presentations

COURSE-LEVEL EDUCATIONAL GOALS:

  • To understand the ways performance contributes to and is constitutive of culture.
  • To read and write about core concepts, methods, and theories from the discipline of performance studies.
  • To observe, analyze, and interpret a range of aesthetic and social performances.
  • To apply performance principles and techniques as a means of research investigation and knowledge creation.
  • To develop a focused topic of performance research that combines written and performative elements.

Grading

  • Attendance and participation 15%
  • Canvas reading and viewing responses 10%
  • Performance presentation on syllabus topic 20%
  • Performance journal 25%
  • Project proposal 10%
  • Final project 20%

REQUIREMENTS:

Attendance and participation                                                                                    15%

  • You will be asked to complete unscheduled in-class assignments that may include brainstorming exercises, creative writing, textual and video analysis, physical activities, and collaborative experiments. These are graded on effort. You are allowed to miss one class without penalty. Each unexcused absence after this will result in your attendance and participation grade being lowered by 5%.

Canvas reading and viewing responses                                                                      10%

  • Excluding the first, fourth, and last weeks of the course, prior to each class, students will be asked to respond in two sentences to a Canvas prompt based on the weekly readings and performance materials. Students will have 24 hours to respond to each prompt: one mark per sentence over 10 weekly prompts. That’s a maximum of 20 total marks, which will be divided by 2 for a final grade out of 10.

Performance presentation on syllabus topic                                                             20%

  • For this assignment, students will select a date on the syllabus during which they will make a 15–20-minute performative presentation that brings to life some aspect of that day's readings and viewings. These presentations should be brief, concise, and dynamic. You may direct us in a scene, sketch costumes, stage a puppet play, create a musical or movement score for a performance, share an audio or video work, etc. You are limited only by your imagination! In addition to the presentation, you will provide a one-page handout that outlines the theoretical, critical, artistic, and/or historical contexts for the work(s) under discussion, summarizes the main elements of the reading(s), and highlights links to other texts we have studied in the class. The goal of this exercise is not to exhaust a topic, but to bring to life a few key aspects of it. Conclude your presentation with two questions to spark class discussion.  You must email me your outline and questions at least 2 days prior to your presentation; failure to do so will result in your grade being lowered by one letter grade (e.g., an A on your presentation becomes a B). Dates and topics will be assigned at our first meeting and depending on final enrolment numbers there may be more than one presentation per week and/or collaborative group presentations.

Performance journal                                                                                                   25%

  • For this assignment, you are asked to keep a journal in which you respond to the weekly prompts related to the syllabus readings and topics. Your journal may take the form of a physical notebook; a Word or Google doc; a blog, vlog, or website; a series of Instagram posts; a box of things; or a combination of the above. Your journal entries may appear in words/text AND/OR in any of the following (blurred) genres: still or moving images; drawings; collections of objects; sound recordings; performance scripts/scores. While you are encouraged to complete journal entries for each of the prompts, you are required to submit only four entries of your choice for assessment. These are due in class on week 12. There is also one compulsory journal entry that you are required to complete for week 4; you will share from this orally in class on that date, including any additional material related to it in your final journal submission. So, five graded journal entries x 5 marks each.

Project proposal                                                                                                         10%

  • This one-page proposal for your final project should clearly identify: the research question you wish to investigate; any forms supplementary to a written paper you may wish to use in conducting this investigation (e.g., a photo essay, a visual diary, an installation, a sound or video work, a short performance, a series of movement or other scores); and the secondary theoretical, performance, and cultural criticism you will be drawing on to supplement your research (this can be included as a short bibliography). I encourage you to consult with me before your proposals are due (see below) regarding your chosen topic and research plan.

Final project                                                                                                                20%

  • Your final project will ideally derive from either your performative syllabus presentation or one of your journal entries, or a combination of the two. It also allows you to draw on your own creative and critical practice. For example, you may want to conduct ethnographic interviews with family members or friends on a topic related to your larger research interests; in addition to incorporating material from these interviews into the written portion of your project, you may wish to use them to develop a short, scripted live or video performance that enacts aspects of your research. If you’re interested in digital performance and new media, you may want to explore more deeply the relationship between social media and the performative “presentation of self” through an Instagram story site. Or you may want to use techniques related to performance documentation, archiving, and/or reenactment to delve more deeply into the history and aesthetics of a precedent artwork that forms a part of your larger research. Students will have a chance to make a short presentation on their research to their peers during the final class. A final 1500-word written response (approximately 6 doubled-spaced pages in 12-point font) that synthesizes your research should be sent to me via email as a Word document by noon on April 11. It may be accompanied by any supplementary “performance materials” you wish me to look at.

Materials

REQUIRED READING:

All readings will be posted to Canvas as PDF documents. Links to relevant video and audio materials will be included in the course syllabus.


REQUIRED READING NOTES:

Your personalized Course Material list, including digital and physical textbooks, are available through the SFU Bookstore website by simply entering your Computing ID at: shop.sfu.ca/course-materials/my-personalized-course-materials.

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity website http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating. Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the university community. Academic dishonesty, in whatever form, is ultimately destructive of the values of the university. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the university. http://www.sfu.ca/policies/gazette/student/s10-01.html

RELIGIOUS ACCOMMODATION

Students with a faith background who may need accommodations during the term are encouraged to assess their needs as soon as possible and review the Multifaith religious accommodations website. The page outlines ways they begin working toward an accommodation and ensure solutions can be reached in a timely fashion.