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  Laughing "Irregardless": Multimedia Aboriginal Humour

   An Evening with Kent Monkman

Join Kent Monkman (Cree) on a journey into his art and life as an artist.

He says of his art practice: “I think my work is primarily informed by an attempt to define that space between the two cultures.” (European and Aboriginal) Kent adds, “It’s a very similar sort of reclaiming of stereotypes that have been harmful, you sort of take them back, you own them, you reclaim them and then you present them from a position of power and that’s really what I wanted to do.” Monkman explains the serious side of why and how we laugh at the history in that space between Aboriginal and Colonizer societies.

Monkman is a world renowned artist of Cree ancestry. His solo exhibitions have been held at: the Montreal Museum of Fine Arts, the Winnipeg Art Gallery, and in 2013 the National Gallery of Canada. He has participated in international group exhibitions including: The American West, at Compton Verney, in Warwickshire, England, and My Winnipeg at Maison Rouge, Paris, France.

This presentation is part of the SFU Public Square Events and was programmed by award-winning filmmaker and writer Loretta Todd. It is the final public program associated with the exhibition co-curated by Peter Morin and Dr. Martine Reid, Carrying on “Irregardless”: Humour in Contemporary Northwest Coast Art, at the Bill Reid Gallery. Note: Exhibition must close March 17, 2013.

Presented by the Bill Reid Gallery with support from: Canada Council for the Arts, Face The World Foundation, SFU Vancouver, SFU Office for Aboriginal Peoples, and in partnership with the Emily Carr University of Art + Design.

When:

Thu, 14 Mar 2013 7:00 PM

Where: Fletcher Challenge Theatre, SFU Vancouver
515 Hastings Street, Vancouver  

Admission: by donation (suggested donation $5.00)

 

Kent Monkman is known for exploring the sexual tension in that space – with the sexual power of characters he creates and embodies – such as the Miss Chief Eagle Testickle. Says a reviewer of Monkman’s work at a recent Peabody Museum show, “The Cree artist plays his drag show for laughs, but underlying it are serious questions about white genocide of Native Americans.”

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