Frequency Modulation (FM)
Synthesis and Composition
Tape solo works realized with FM Synthesis using
the composer's POD and PODX system:
Tape VII ("The Journey to
the Gods") from Gilgamesh
(1972-73), for four-channel tape
Sonic Landscape No. 3
(1975, rev.1977), a spatial environment for four
computer-synthesized soundtracks (16')
Androgyny (1978), a spatial
environment for four computer-synthesized soundtracks (17')
Arras
(1980), for four computer-synthesized
soundtracks (10')
Wave Edge (1983), for four
computer-synthesized soundtracks (9')
Solar Ellipse (1984-85), for four
computer-synthesized soundtracks (11')
Works for Instruments and/or
Voices and tape, realized with FM Synthesis:
Trigon (1974-75), for mezzo-soprano, alto
flute, piano and computer-synthesized tape (16')
Nautilus (1976),
music for solo percussion and four computer-synthesized
soundtracks (10')
Sonic Landscape No. 4
(1977), for organ and four computer-synthesized
soundtracks (9')
Aerial (1979),
music for solo horn and four computer-synthesized
soundtracks (9')
Love Songs (1979),
for solo female voice and four soundtracks (32') Text:
Norbert Ruebsaat
Etude (1983-84),
for cello and two computer-synthesized soundtracks (10')
Divan
(1985), for computer graphic slides and two
computer-synthesized soundtracks (11') Graphics: Theo
Goldberg
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