
| SCENE |
Dripping Water & Raven Water Resonated 0:00 - 2:09 - 3:30 |
Water & Chimes Sustained Chimes 3:30 - 4:20 - 5:25 |
Raven & Wings Rain, Gong & Darkness 5:25 - 6:56 - 8:40 |
Morning Dawns 8:40 - 10:35 |
| PRODUCTION SCORE |
prod1,
prod2 |
prod3,
prod4 |
prod5,
prod6 |
prod7 |
| STEREO REDUCTION |
part
1, part 2 |
part
3, part 4 |
part
5, part 6 |
part
7 |
| SPECTROGRAM |
part
1, part 2 |
part 3, part 4 | part 5, part 6 | part 7 |
Raven
& Other Recorded Sound Convolved with itself
(note: when a moving window is used with 1, 2 or 4
sec it is indicated as Mov1, Mov2, Mov4)
Dripping
Water & Rain Convolved as Hybrid or Resonated
(note the hybrid convolution uses a moving window of
100 ms on the left ch. and 50 ms on the right,
identified as MovSt)
Spatialization:
The raven files (flying overhead and the wing sounds) are spatialized with the TiMax2 Soundhub digital matrix mixer with trajectories of Echo based spatial images simulating symmetric reflections of 171 ms on either side of the source, with reduced amplitudes (which broaden the stereo image to 6 output channels for a stereo pair), using presets such as:
Echo 1
Echo 5
Echo 8
Note: the delays (indicated with small arrows) are set constant at the maximum on each channel to avoid any interpolation of time delays during a trajectory (which would otherwise result in an audible modulation of the signal). In fact, the delays turned out to be unnecessary as their constant value did not produce an echo. For each channel in these diagrams, the pairs of faders control amplitude (left) and time delay (right).