Film
Sound Bibliography |
|
Alten, Stanley R.
Audio in Media, The
Recording Studio
Wadsworth, New York: 1996
TK7881.4.A462
Basic textbook for audio production with an
emphasis on audio for post (television). Lacks detail in some areas but
is nonetheless fairly complete.
Available in paperback
Altman, Rick (editor)
Sound Theory Sound
Practice
AFI, Routledge: New York, 1992
PN1995.7.S69
An excellent collection of theoretical writing
on sound design, genre, music etc.
Available in paperback
Blake, Larry
Film Sound Today: An
Anthology of Articles from Recording Engineer/Producer
Reveille Press, Hollywood: 1984
TR897.B53
While focussed mostly on Lucas film and developments
in Dolby film sound processing circa 1979-83 still a valuable source for
info on theatrical presentation and the mixing of 70mm "Blockbuster" movies.
Available in paperback
Brougham, Chris
A Critical Inquiry
into the Methodology of Film Sound Analysis
SFU Masters Thesis
PN1995.7B76
1992
Focus on the film Dr. No, this is a very detailed
analysis from both an ideological as well as phenomenological approach.
Cameron, Evan William, (editor)
Sound and the Cinema,
The Coming of Sound to American Film
Redgrave Publishing, Pleasantvill
NewYork:1980
PN1995.7S68
An anthology of articles which consists largely
of the edited proceedings of a symposium on the coming of sound to America
from 1925-40. An excellent introduction to the topic with Cameron's own
two articles and the revealing article by Bernard Herrmann highly recommended.
SFU Library
Chion, Michel
La Tile Troueé:
La Parole au Cinéma
Editions de L'Etoile, Paris:
1988
PN1995.7C485
As a composer of musicque concrète Chion's
writing is evocative and challenging in its analysis of the soundtrack
and its meaning. In french.
SFU Library
Chion, Michel, translated by Claudia Gorbman
Audio-Vision: Sound
on Screen
Columbia Univ. Press, New York:
1994
PN1995.7.C4714
Chion is a composer of electroacoustic music
and a unique theoretical visionary in regards to film sound. Excellent
translation by Claudia Gorbman. This is an english language summary of
Chion’s three previous texts.
SFU Library
Fielding, Raymond
A Technological History
of Motion Pictures and Television
University of California Press:
1967
TR848.F5
For historical interest: Papers form the AES
journal from the turn of the century until pre WWII
Available in paperback
Frater, Charles B.
Sound Recording for
Motion Pictures
Tantivy Press, London/A.S. Barnes
& Co. New York:1979
TR897.F67
Excellent introduction to location sound recording
with precise definitions of Pilot tone, the workings of the major Nagra
models and the transfer of 1/4" to mag film.
Unfortunately out of print
or hard to find
Geduld, Harry M.
The Birth of the Talkies
Indiana University Press, Bloomington
Indiana: 1975
PN1995.7G36
A detailed account of the development of synchronous
sound in the United States. Extensive notes on the monopolies involved
and the corporate power struggles that went on. Good source for information
on the development of almost all the recording media.
SFU Library
Gorbman, Claudia
Unheard Melodies: narrative
film music
BFI Publishing, Indiana University
Press: 1987
ML2075.G67
Excellent source on the theoretical writing
around film scoring. Large annotated bibliography and analysis of three
films with score excerpts. A must for anyone working in the area.
Available in paperback
Hollyn, Norman
The Film Editing Handbook,
2nd Edition
Lone Eagle, Beverly Hills:1990
TR899.H64
Complete description of the entire post production
sound process (conventional mag film) from the editor/sound editor point
of view. Very clear descriptions of all the tasks involved. A must for
anyone interested in post production sound.
Available in paperback
Huber, David Miles
Audio Production Techniques
for Video
Sams, Idianapolis: 1987
Clearly written explanation of the topic. Area
of MIDI/SMPTE sync has grown exponentially since the book was published
so there are some topics which seem incomplete. Especially useful for explanation
on workings of Video.
Available in paperback
Kerner, Marvin M
The Art of the Sound
Effects Editor
Focal Press, Boston: 1989
TR899.K47
Very simple overview with a few chunks of reasonably
valuable information. Good for the beginner as an introduction.
Available in paperback
LoBrutto, Vincent
Sound-on-film: interviews
with creators of film sound
Praeger Publishers, Westport:
1994
PN1995.7.L63
Interviews/filmographies of many important sound
designers including Walter Murch, Ben Burtt, etc.
Available in paperback
Lustig, Milton
Music Editing for Motion
Pictures
Hasting House, New York: 1980
ML2075.L87
Complete detail of what was required to do this
job for a major studio before 1980. Useful organizational tips for any
composer.
Available in hard cover only
Ratcliff, John
Timecode: A User's
Guide 2nd edition
Focal Press, London: 1996
TR899.R38
Synchronization and time code reference work.
Excellent, extremely detailed.
Available in soft cover
Rona, Jeffrey
Synchronization form
Reel to Reel
Hal Leonard, Milwaukee: 1990
TK7881.4.R66
Synchronization and time code basics for project
studios with an emphasis on MIDI systems. Large format paperback with simple
diagrams and chatty text. GOod introduction to the topic but not a reference
work.
Rumsey, Francis
The Audio Workstation
Handbook
Focal Press, Oxford: 1996
A detailed reference on formats, synchronization,
compression, disc and memory management and storage for digital audio and
DAWs.
Weis, Elizabeth and Belton, John (editors)
Film Sound: Theory
and Practice
Columbia Press, New York: 1985
PN1995.7.F53
One of the first and still the best anthologies
on film sound and scoring. A must for anyone interested in the area.
Available in paperback
Zaza, Tony
Mechanics of Sound
Recording
Prentice Hall, Englewood Cliffs,
New Jersey, 1991
TK7881.4.Z39
Excellent, comprehensive technical manual on
recording and playback systems
Zaza, Tony
Audio Design, Sound
Recording Techniques for Film & Video
Prentice Hall, Englewood Cliffs,
New Jersey, 1991
TK7871.4.Z39
Rather exhaustive if somewhat quirky and opinionated
look at sound design. Includes information on synesthesia, music scoring,
an excellent reference section, sound for documentary, etc. Valuable resource.