Whys
of Making Decisions about form, structure, composition |
| To
reflect "politically" |
From
Timothy Murray "The Crisis of Cinema in the Age of New World Memory"
(on Godard's King Lear)
"through radical transformations of the conditions of Shakespearean
production, Godard can be said to join Cordelia in her pact with Virginia
Woolf to constitute, as Professor Deleuze would say, 'an assemblage which
brings real parties together, in order to make them produce collective utterances
as the prefiguration of a people who are missing.'" (178) |
To
assert a different or particular type of "author" |
| To investigate/experiment |
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