SOUND-SOUND INTERACTION

(click on the capital letter for your answer)

1. Which phenomenon does NOT result from the algebraic addition of sound pressure functions as expressed by the Law of Superposition?

A. beats
B. interference
C. phasing
D. masking

2. Destructive interference between two waves of the same frequency is at its greatest when the phase difference between them is  _________.

A. 0°
B. 90°
C. 180°
D. 360°

3. Which phenomenon is NOT the result of interference effects?

A. diffraction
B. beats C. dead spots
D. ground effect

4. Beats occur between two waves of similar but not identical _________ and are heard as periodic changes of ________.

First blank
A. amplitude
B. waveform C. intensity
D. frequency
Second blank
A. loudness
B. pitch
C. waveform D. phase shifts

5. Which two phenomena are examples of amplitude modulation: _______ and __________.

A. first-order beats
B. second-order beats
C. tremolo
D. phasing

6. The beat frequency between two tones of frequency X and Y which are close together is   ___________.

A. X + Y
B. X - Y
C. 2X - Y
D. 3X - 2Y

7. The perceived pitch of two tones with frequency X and Y which beat together corresponds to the frequency ___________.

A. X
B. Y
C. X - Y
D. (X + Y)/2

8. Which phenomenon does NOT involve time delays between the two or more sounds involved?

A. phasing
B. beats
C. echo
D. binaural hearing

9. Frequencies which cancel during phasing are the even-numbered harmonics of the frequency whose period is twice the time delay involved. T or F

10. The spectral change caused by phasing is similar to that of a  _______ filter.

A. bandpass
B. low-pass
C. high-pass
D. comb

11. Environmental phasing is heard as a dynamic change of ________.


A. loudness
B. pitch
C. timbre
D. envelope

12. The level of masking can be defined in dB as the threshold shift necessary to restore a masked sound to audibility. T or F

13. Masking is greatest when two sounds have their energy lying within the same critical band. T or F

14. Critical bandwidth can be measured through sine tone masking experimens with narrow-band noise. T or F

15. Two sine tones sound with maximum roughness between them when separated by  __________.

A. a semitone
B. a critical bandwidth
C. 1/4 a critical bandwidth
D. the jnd for frequency

16. Two sine tones sound with maximum consonance when separated by  __________.

A. a semitone
B. a critical bandwidth
C. 1/4 a critical bandwidth
D. the jnd for frequency

17. Combination tones appear because of ___________ processing by the auditory system.

A. linear
B. non-linear
C. logarithmic
D. exponential

18. Which phenomenon does not enhance the sound of a musical ensemble such as an orchestra?

A. reverberation
B. echo
C. choral effect
D. blend

19. Tones that are widely separated in pitch and repeat more than 5 tones/second, will be perceived as segregated, a phenomenon also known as _________.

A. fusion
B. fission
C. precedence effect
D. blend

20. The connection of the two auditory nerves from each ear to the hemispheres of the brain can be described as _________.

A. 100% ipsilateral
B. 100% contralateral
C. 60/40% contralateral
D. 50/50% contralateral



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