Photo: Jean Ko

I work on media art and philosophy with an intercultural focus. My most recent books are Hanan al-Cinema: Affections for the Moving Image (MIT, 2015) and Enfoldment and Infinity: An Islamic Genealogy of New Media Art (MIT, 2010). I program experimental media for venues around the world. As Grant Strate University Professor, I teach in the School for the Contemporary Arts at Simon Fraser University in Vancouver, Canada, on unceded Coast Salish territory.

In fall 2018 I am a visiting professor in the department of
Visual and Environmental Studies, Harvard University. Two great films left in my series Secrets, Enigmas, and Operative Images!

lmarks [ ] sfu [ ] ca

Remote Materialization,” inaugural exhibition of the Substantial Motion Research Network.

My "Mulla Sadra trilogy":
"Lively Up Your Ontology: Bringing Deleuze into Sadrà„’s Modulated Universe," Qui Parle? 27:2 (December 2018): 321-354.
“We will exchange your likeness and recreate you in what you will not know”: Cinema and intercultural process philosophy,” in
Film Theory Handbook, ed. Hunter Vaughn and Tom Conley (Anthem Press, 2018)
“Real Images Flow: Mulla Sadra Meets Film-Philosophy,” Film-Philosophy, 20, ed. David Martin-Jones (2015): 24-46.

Hanan al-Cinema: Affections for the Moving Image
2017 recipient of College Art Association’s Frank Jewett Mather Award for Art Criticism and Choice magazine’s "Outstanding Academic Title"
Order from
MIT Press. See the movie!

Recent and upcoming events:
"Talisman-images gather the cosmos and press it to your body," talk in the "Thinking Cinema" series at Princeton University. November 29, 2018,
"Losing My Cool: An Effective Research Strategy," keynote talk, Seoul International Women's Film Festival, Seoul. June 4, 2018
"Taqiyya: A genealogy of arts of the secret," at “Deleuze + Art: Multiplicities, Thresholds, Potentialities,” Trinity College Dublin. March 9, 2018
“Luminous images, hidden in the senses," Gerrit Rietveld Academie, Amsterdam. March 7, 2018