Call for work, Small File Media Festival

Call for work: First Annual Small File Media Festival
Submission Deadline: May 15, 2020

What do cat videos, facial recognition and porn all have in common? You can find them at the first annual Small File Media Festival!

The coronavirus pandemic is showing us how dependent people are on streaming media. Streaming media currently is responsible for about 4% of our global carbon footprint, 1% of that from pornography streaming alone, and rising fast. That’s a lot of coal for cat videos, Netflix, and porn !

Use your artistic voice to contribute to climate change action and cool down the planet. We make HD, 4K, and 5G look unnecessary, unsexy, and so last decade. Small files are intellectual, innovative, attractive, creative, and fun. We encourage the exploration of experimental processes through low energy technologies to deconstruct the fetishization of the pristine image.

If we can get together physically, the Small File Media Festival will be held August 10-12 in the beautiful cinema at Simon Fraser University in glorious Vancouver, Canada, and streamed in curated programs of tiny files. Selected works will be screened live and receive a rental fee. We will be featuring an “obsolete” media viewing platform for submissions with alternative technologies, and an anti-facial-recognition fashion show and workshops alongside the festival. Additionally, all accepted works will have the option of being curated and streamed online through energy conscious means.

If we can’t get together physically, we’ll stream curated programs of tiny files.

Come join us and celebrate the beauty of the small file!
Submit through or visit us at

File size restricted to 5 megabytes of fun! Size to aim for:
1 megabyte per minute Length: 1-5 minutes Must record/submit processing/encoding time
Looping media welcomed

Aesthetic Invention Supersmall files (how low can you go!)
Narrative Documentary Porn Sports Cat videos Animation GIFs ‘Obsolete’ technologies Pre and post-apocalyptic media
Cross-platform works
(one version for live screening, another for streaming. Please include one minute excerpt of the live work)
Anything Imaginable!

For tips on making small files, visit

Coronavirus shows need for small-file media

Because so many people are streaming media during the Coronavirus crisis, and under pressure from European Union Commissioner Thierry Breton, YouTube has followed Netflix Europe in the decision to restrict quality to standard definition. It's great because it sets a precedent for enjoying non-HD movies. Thanks to fellow small-filer Jason Livingston for this.

Guidelines coming soon for the First Annual Small-File Media Festival!

Some solutions to streaming media's carbon footprint

Things we can do individually:

Stream less media!

Enjoy non-streaming solutions like:
  • going to the movies!
  • embracing older technologies
  • watching actual television, listening to actual radio
  • taking the bus to the video store, like Vancouver's Black Dog Video
  • buying DVDs or borrowing them from the library
  • sharing files on USB
  • getting together with folks to watch movies, for example through Hoovie (thanks Yani Kong) This also handles another problem of device media, the loneliness epidemic

When you do stream:
  • stream at lowest resolution and trip out on those compression halos
  • skeptically follow Greenpeace's report card for streaming media companies (Netflix gets a D, YouTube an A, because Google, which owns YouTube, is relatively greener—still not very impressive in my opinion)
  • be willing to pay more for fast, high-resolution media
  • enjoy the elegance of streamlined media consumption. Bloated high-res files are so last decade!

Things we can do collectively:
  • demand regulation. As Greenpeace's report points out, telecoms, media providers, and other companies in the streaming-media economy actually want governments to force them to be more energy efficient. Yes, it will mean raising prices.
  • demand our governments speed the conversion from fossil fuels to renewable energy

A later post will address what IT engineers can do.

Streaming media's carbon footprint

The carbon footprint of streaming media is the elephant in environmentalism's room. Streaming refers to viewing or listening online to media content such as video on demand (e.g. Netflix, Amazon, Crave), porn, YouTube, games, online archives, music, video conferencing, and virtual and augmented reality. Although information and communication technology (ICT) is hoped to lower the energy usage and carbon footprint of other sectors, the energy for both the production and use of ICT (servers, networks, data centers, terminals) is using an increasingly disproportionate part of electricity. Current predictions show that these impacts will continue to rise unless extremely energy-efficient measures are put in place globally (Lorincz et al. 2019; The Shift Project, 2019, Andrae 2017). In a worst-case scenario, streaming media could be responsible for as much as 20.5% of greenhouse gas emissions in 2030 (Andrae 2017).

The main reason for this huge carbon footprint is that fossil fuels power many sites and hubs of streaming media. For example, South Korea is one of the most wired countries in the world, and its largest energy source is coal (Greenpeace 2017). In the US, data centres concentrated in Virginia, North Carolina, and the Pacific Northwest use cheap power primarily derived from coal, even though they have plenty of hydro (Fehrenbacher 2012, Greenpeace 2017).

"Demand"* for higher image quality (such as 4K and 8K or 4000 and 8000-pixel 3D video) requires more bandwidth for data transfer, increasing the energy consumption of streaming video, and more antenna technology. Wireless media like mobile phones currently use a combination of second-, third-, and fourth-generation (2G, 3G, 4G) technology. Now 5G is being hyped to increase data capacity and speed up the rate of data transfer.

Researchers do not agree about the energy usage of 5G. A popular 2015 study on electricity usage of wireless networks by Andrae and Edler (2015) predicts that between 2020 and 2030, in the expected-case scenario, 4G and 5G use will climb from 40 to 70 and from nil to 91 terawatt hours (TWH) respectively. In the worst case, 4G use will rise to 917 TWH and 5G will spike to 1,648 TWH. The main variables for these enormous discrepancies are mobile data traffic, energy intensity, and improvement in energy efficiency. Thus, if demand for large streaming files increases and efficiency does not increase enough, the planet will explode in a ball of flames. However, other researchers argue that 5G’s energy usage can be minimized, for example by switching off base stations outside peak hours (Alsharif et al. 2019, Popescu 2018).

What can media users, media makers, scholars, citizens, engineers, and governments do about this massive threat to our planet? A lot of things! See the next post.

*"Demand" is in quotes because people's sudden desire to receive streaming media on devices is a first-class example of a manufactured need, pushed by media corporations and telecoms in order to sell more product and make the older ones obsolete.