Film and media theory

Some recent and upcoming highlights; some of these are on the Selected Writings page:

“We will exchange your likeness and recreate you in what you will not know”: Cinema and intercultural process philosophy,” in
Film Theory Handbook, ed. Hunter Vaughn and Tom Conley (Anthem Press, 2018)

“Affective Analysis,” in "Sensing and Affecting” section, Routledge Handbook of Interdisciplinary Research Methods, ed. Celia Lury, Una Chung, et al. (2018)

“I Feel Like an Abstract Line,” in
Thresholds: Mirror-Touch Synaesthesia and the Social Life of Art, ed. Daria Martin with Elinor Cleghorn (Oxford University Press, 2017)

"Radical gestures of unfolding in films by Mohamed Soueid and The Otolith Group,”
Gestures of Seeing in Film, Video and Drawing, ed. Asbjørn Grønstad, Henrik Gustafsson, and Øyvind Vågnes (London: Routledge, 2016), 69-88.

“Real Images Flow: Mulla Sadra Meets Film-Philosophy,”
Film-Philosophy, 20 (2015), “A World of Cinemas” special issue, ed. David Martin-Jones. 24-46.

“Monad, Database, Remix: Manners of Unfolding in
The Last Angel of History," Black Camera 6:2 (2015), special issue on John Akomfrah, ed. Matthias de Groof and Stephanie Symons. 112-134.

Thinking like a carpet: embodied perception and individuation in algorithmic media,” in The Cinema of Sensations, ed. Ágnes Pethö (Cambridge Scholars Press, 2015)
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