Spring 2018 - CA 149 E100

Sound (3)

Class Number: 12766

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 3 – Apr 10, 2018: Tue, 5:30–8:20 p.m.
    GOLDCORP

Description

CALENDAR DESCRIPTION:

Introduction to acoustics, psychoacoustics, sound synthesis, audio sampling and signal processing, and sound production in general as relating to music, film sound, radio, new media, art installations and live performance. Students who have taken CA (or FPA) 184 cannot take CA (or FPA) 149 for further credit. Students with credit for FPA 149 may not take this course for further credit. Quantitative.

COURSE DETAILS:

FPA 149 is an introduction to the large topic of sound and is designed to be relevant to allof the disciplines in the School for the Contemporary Arts. Students will be introduced to basic acoustics, simple wave physics and the techniques/technology associated w ith the recording, transformation, storage, transmission and projection of sound. This exploration of the technologies and concepts related to sound will lead to examinations of the moving picture soundtrack, radio, theatre, installations, sound art, gaming and radio art. Special attention will be paid to the role of sound design/music in fixed media, broadcast, performance (theatre, dance, etc.), and installation art. This course will also explore the larger issues of sound in contemporary society through environmental sound, noise, and acoustic communication.

Grading

  • Assignment projects 50%
  • Sound Circus! 30%
  • Final exam 20%

NOTES:

This is a lecture course, which means that a large portion of the material is delivered bythe professor during class times. To be successful in this class requires that you attend ALL lectures, complete ALL the assignments, and read ALL of the texts.

Additionally, there will be TWO tutorials during the term demonstrating how to use the editing software “Audacity.” These tutorials will take place during the scheduled class time.

ASSIGNMENTS

All assignments are posted to the calendar on Canvas. You are responsible for knowing when these are due and completing them ON TIME. Late submissions will not be accepted.  

Assignment 1 (10%) — Due 23 January
This assignment introduces simple recording and editing of a sound file.  

Assignment 2 (20%) — Due 20 February
For this assignment students will create a two-minute audio file composed two parts. The first part will consist of a sound you've selected/recorded and then manipulated in specific ways. The second part will be a “composition” that draws on this material as well one or two additional sounds.  

Assignment 3 (20%) — Due 6 March
Students will create a one-hour log and analysis of sound events that occur in a specific location.    

Sound Circus!  (30%) — 6 April
-Performance    20%   
-Paper              10%

This project will follow the format of John Cage's work Musiccircus: “The idea of this composition is nothing more than an invitation to any number of musicians willing to perform simultaneously anything or in any way they desire."  Students will assemble into groups of three and develop a work/performance to be staged during the afternoon of Friday 6 April. The class will, in effect, take over the Woodward’s building with a carnival of sound. In addition to the performance, each student will be responsible for producing a written document that describes the work/performance, discusses the steps involved in its creation, how the sound was used, how it relates to other sound (art) practices, etcetera…  

More details to come…
 

Materials

MATERIALS + SUPPLIES:

Students must have access to a set of headphones/earphones and a laptop or computer.

REQUIRED READING:

Readings will be available via Canvas

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS