Spring 2018 - CA 319W E100

Critical Writing in the Arts (3)

Class Number: 12651

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 3 – Apr 10, 2018: Wed, 6:30–9:20 p.m.
    Vancouver

  • Prerequisites:

    60 units including at least six units in CA (or FPA) history/theory courses.

Description

CALENDAR DESCRIPTION:

Examines aspects of critical writing associated with the fine and performing arts and encourages students to participate as writers in the artistic and cultural debates of their day. Forms examined will include but not be limited to reviews, articles, descriptive synopses for exhibition and festival programs, curatorial essays, project proposals and artists' statements. Students with credit for CA (or FPA) 319 may not take this course for further credit. Students with credit for FPA 319W may not take this course for further credit. Writing.

COURSE DETAILS:

This class will provide students with the opportunity to develop critical writing and editing skills across a range of formats. The coursework is designed to allow students to write within their own field of interest, be it curatorial, dance, theatre, music, film or visual arts, and will involve short projects akin to real-world writing opportunities for artists and cultural workers. In this class, writing exercises will include critical reviews, interviews, artist statements, press releases, and will culminate in a final, peer-edited print publication, co-produced by Decoy Magazine. Emphasis will be placed on the sustained development of ideas and writing techniques as students will be asked to participate in workshops, field trips, presentations, and group projects to consider the production of critical writing as a process that runs parallel to a creative practice. In this class, we will research and compare a variety of styles and methods, using writing examples from a multitude of publications.

COURSE-LEVEL EDUCATIONAL GOALS:

This class will prepare students to approach their individual practices through writing while reflecting on the importance of a community-driven critical dialogue both in the classroom and beyond. Upon completion of the course, students will have gained experience in written production within the field of contemporary arts, will be knowledgeable about arts-based writing resources, will have developed their writing skills within the scope of their artistic interests, and will walk away with a publication they can call their own.

Grading

  • Artist Statement & Bio 10%
  • Interview Proposal 5%
  • Interview (Final) 15%
  • Critical Review 15%
  • Presentation of Articles 10%
  • Reading Responses 15%
  • Publication 20%
  • Attendance and participation 10%

Registrar Notes:

SFU’s Academic Integrity web site http://students.sfu.ca/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS