Spring 2023 - CA 334 D100

Selected Topics in Film and Video Production (3)

Analogue Practices

Class Number: 6928

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 4 – Apr 11, 2023: Wed, 10:30 a.m.–1:20 p.m.
    GOLDCORP

  • Prerequisites:

    CA (or FPA) 231 and prior approval.

Description

CALENDAR DESCRIPTION:

This course will cover a specific topic within the field of film and video production not covered in depth in regularly scheduled courses, such as optical printing techniques, film and video editing, experimental film and video production, or documentary film and video production. Students may repeat this course for further credit under a different topic.

COURSE DETAILS:

This studio course will focus on analogue film practices. Students will be using analogue equipment, including 16mm cameras and projectors, tape recorders, light objects, instruments, analogue circuits and DIY acoustics and proto-cinematic contraptions to create works that will be presented in a showcase at the end of the semester. These works will be exhibited in a non-theatrical environment: pop-up screening spaces around the school that will allow us to exhibit expanded cinematic works, analogue film/sound installations or projector-performances to name a few possible outcomes.

Students will work in a DIY and DIWO modes, and we will learn how to make the best of low budget filmmaking, however, working with analogue film will probably incur in some additional expenses. Students will receive one roll of black and white to ensure everyone has an opportunity to play with the medium.

COURSE-LEVEL EDUCATIONAL GOALS:

  • Introduction to low-budget Do-it-Yourself and Do-it-with-others analogue filmmaking
  • Familiarity to the principles of the cinematic device, including but not limited to: the camera & lenses, projection & light, and sound equipment
  • Creative exploration through hands-on experiential and experiemntal artistic processes
  • critical mindfulness and develoment of the ability to contextualize artistic work
  • Engaging with play and flow as learning tools for creative output.

Grading

  • Project #1 25%
  • Project #2 25%
  • Final Project 30%
  • Engagement 20%

REQUIREMENTS:

  • No film experience is required. 
  • Interest in artistic fruition is key

Materials

MATERIALS + SUPPLIES:

  • Students will receive one roll of black and white to ensure everyone has an opportunity to play with the medium.
  • Working with analogue film will probably incur in some additional expenses.
  • Project costs may require personal funding based on production needs outside the equipment provided by the school
  • Students will be able to sign out some film equipment. You will have full access to the analogue equipment and limited access to the digital tools.
  • All digital editing will have to be done in the computer labs.

 

REQUIRED READING:

Students will receive articles and suggested or required readings in class.

REQUIRED READING NOTES:

Your personalized Course Material list, including digital and physical textbooks, are available through the SFU Bookstore website by simply entering your Computing ID at: shop.sfu.ca/course-materials/my-personalized-course-materials.

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity website http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating. Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the university community. Academic dishonesty, in whatever form, is ultimately destructive of the values of the university. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the university. http://www.sfu.ca/policies/gazette/student/s10-01.html