Oliver Ressler: No Future is cancelled
Image: Oliver Ressler, Barrucading the Ice Sheets, 2019-2022
The Audain Visual Artist in Residence (AVAIR) program brings artists and practitioners to Vancouver who have contributed significantly to the field of contemporary art and whose work resonates with local and international visual art discourses. The visiting artists interact with the students and faculty of the School for the Contemporary Arts as well as the broader visual arts and cultural communities and the community-at-large. In keeping with the experimental nature of the School for the Contemporary Arts the terms of engagement are open and change from artist to artist. The cornerstone of the residency is the sharing of artistic research. The program is generously funded by the Audain Foundation Endowment Fund.
Image: Oliver Ressler, Barrucading the Ice Sheets, 2019-2022
Photo: Adam Ferguson for The New York Times
Heba Y. Amin, The Master’s Tools I (restaging of Herman Soergel’s portrait), 2018, Archival b/w print, edition of 5 + 1AP, 86 x 110 cm,
Pablo José Ramirez, Jeremy Deller, Sandra Brewster, Irena Haiduk, Sanja Iveković, Charles Gaines, Samson Young, and Tanya Lukin Linklater.
Alejandro Cesarco, Dedication, Takes/Outakes (Layered), 2019. Screenshot, dimensions yet undecided.
Raven Chacon, For Carmina Escobar (score of For Zitkála-Šá), ongoing. Courtesy the artist.
Sarah Pierce, Campus (2011). Commissioned by Georgina Jackson for the Mattress Factory. The Pittsburgh Press, October 15, 1969. Courtesy Civil Rights Archive, University of Pittsburgh.
taisha paggett. i believe in echoes, 2018. Performance documentation on June 17, 2018 as part of Made in L.A. 2018, Hammer Museum, Los Angeles. Photo: Justin Sullivan.
Sandi Hilal & Alessandro Petti (Decolonizing Architecture Art Research)
YOUNG-HAE CHANG HEAVY INDUSTRIES
FTI