Spring 2020 - EDUC 943 G002

Arts-Based Inquiry in Educational Research (5)

Class Number: 9148

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 6 – Apr 9, 2020: Mon, 4:30–9:20 p.m.
    Burnaby

Description

CALENDAR DESCRIPTION:

This doctoral seminar will explore modes of inquiry through the arts that are important for education. Participants will be introduced to, and learn to practice, various arts-based methods including narrative, performative, poetic, autobiographical and living inquiry.

COURSE DETAILS:

This course provides students with training in the methodologies of arts-based research that are considered essential for students undertaking doctoral theses in arts education. Arts-based research in educational research exists today as a creative, critical, and communal practice of inquiry and performance that seeks to challenge the status quo, and imagine new possibilities of engagement, venturing across curricular boundaries of exploration. Arts-based Inquiry in educational research invites, challenges, and questions social and individual practices of participation, and seeks to voice new ways of engaging children, youth and adults in their learning and in understanding of who they are as individuals, and in community. We will also consider the arts in relationship to inquiry as an act of creativity, resistance, exploration, and hope. This doctoral seminar will explore modes of inquiry that intersect performance, embodiment, visual and poetic engagement through the arts. Participants will be introduced to arts-based educational research methodologies within qualitative inquiry that support alternative forms of scholarly discourse. The literature will be reviewed with attention to the theoretical frameworks that inform alternative arts-based research and curricular theories. This seminar will problematize current and past paradigms of how arts-based research has been conceptualized and practiced, and its positionality in the academy. Questions of the connections between physicality and spirituality that arise out of artistic inquiry will be attended to with its impact to its connection between the personal and the universal. This includes a grappling with phenomenology, hermeneutics and holistic education in terms of our understanding of our roles as educators and researchers. In addition, in this seminar students will engage in narrative inquiry, performative inquiry, embodied forms of inquiry,  living inquiry, poetic inquiry and autobiographical forms of research. If possible, guest arts-based researchers will be invited into the class in order to be exposed to a variety of people working in the field.  

Students will be encouraged to explore two art forms within the inquiry process: one that is in their repertoire of artistic experience, and the other that pushes the boundaries of their comfort level. Students will also be required to look at other forms of dissertations and theses that are exemplary, alongside the reading of primary texts. Students will come to an understanding of what it means to live aesthetically and with integrity as scholars, educators and artists. This is a required course for all doctoral students within the arts education program, as it will prepare them for integrating their scholarship and artistic inquiry with the emergent social, political, corporate demands of contemporary life and vocation.

COURSE-LEVEL EDUCATIONAL GOALS:

1.  The student will gain a more thorough comprehension of the complexity and variety of arts-based inquiries, theories, literature, and forms of representations that inform research through the arts.
2.  The student will learn how engagement in an arts medium impacts learning, perception, and understanding.
3.  The student will learn how to articulate the theoretical underpinnings that inform his or her arts practice and medium of inquiry.
4.  The student will be able to represent and express the learning and understanding and its implications and applications that emerge through an arts-based inquiry.
5.  The student will have a thorough understanding of the historical development and current issues of arts-based research and representation.
6.  The student will develop an understanding of how cultural and social factors have shaped his or her perceptions and practices of research and representation.

Grading

  • Major arts-based inquiry with a reflective essay on what you learned and what questions emerged 70%
  • Group literature review 20%
  • Attendance/weekly writing shared in class 10%

NOTES:

Arts-based inquiry requires active participation, thoughtful dialogue, and collaborative engagement in all classroom activities. Evaluation will be based upon the learning of each student as illustrated in their written and practical work, integration of theory and practice in their writings, creative and critical engagement and reflection. Students will be encouraged to keep a weekly autobiographical writing practice, which will inform all of their work during the semester.    

a. Major arts-based inquiry:
Performance piece, visual arts installation, and/or writing that may be individual or collaborative in nature, that draws from an inquiry in an arts medium outside the student’s own arts practice.

Choose an arts medium with which you are unfamiliar with and design an arts-based inquiry to explore your learning through working in this new arts medium. Maintain fieldnotes to track your feelings, insights, observations, questions as they emerge over the course of the inquiry. It is not intended that a polished performance piece will result from this inquiry, however, a representation of the inquiry, and a sharing of your learning, insights, and implications for education (as broadly defined) is required. This may be a collaborative or individual project.
 
OR  

b.  Arts –based Inquiry and Representation
In consultation with course instructor(s), students will undertake an arts-based research project in an area of choice, read the pertinent literature, and present their work. An opportunity for a creative collaboration of arts-based research is possible if a group of students so wish.

OR  

c.  Collective Arts-based Inquiry and Representation that may be engaged upon collectively with the entire class.

REFLECTIVE ESSAY
d.  Write a reflective essay interacting with the arts-based inquiry you explored (a or b or c), which highlights your learning, transformative moments, and how it will inform your future research and practice.  

2.  Group literature review

The group project is designed to give you the opportunity to work together, to research and share ways of inquiry and representation through the arts that are currently being practiced in the academy.   

Literature Review of all arts-based literature in an assigned arts-based methodology. Read and discuss the primary texts within an arts-based research methodology with a partner and then collaboratively write a literature review that will introduce readers to the methodology and the key literature that informs that methodology. This information will be presented to classmates. The purpose of this assignment is to familiarize students with the practice of literature reviews and to begin to become familiar with the literature of a particular arts-based research methodology.  

3. E-Postcards and/or Performative writing  
You will be encouraged to write weekly, based on performative/narrative/poetic and/or embodied moments of learning, and share with the class weekly. This performative writing practice is to open up spaces for cultivating a relationship to language, which is authentic, aesthetic, and alive. This performative writing practice is also to develop a practice of noticing, which is critical for artistic research and creation, and to engage in inquiry and knowledge dissemination.

REQUIREMENTS:

Prerequisite/Corequisite: Registered in PhD Arts Education program or consultation with professor

Materials

REQUIRED READING:

Saint-Exupéry, A. (1943). The Little Prince, New York, NY: Reynal & Hitchcock. USA 

Releasing Hope. (2020). R. Martin, M. Korchinski, L. Fels & C. Leggo. Toronto, ONT: Inanna Publications & Education.
ISBN: 978-1-77133-705-2

Salverson, J. (2016). Lines of Flight: An Atomic Memoir. Hamilton, ONT: Wolsak & Wynne.
ISBN: 978-1-928088-25-7

Handbook of Arts-Based Research. (2015). Patricia Leavy (Ed.). New York, NY: Guildford.
ISBN: 978-1-462540389

Educational Insights  www.educationalinsights.ca

Artists Speak  https://icasc.ca/artists-speak

Selected Journal Articles (TBA)

RECOMMENDED READING:

Bagley, C. & Cancienne, M, (Eds). (2002).  Dancing the data. NY: Peter Lang
ISBN: 9780820455259

Irwin, Rita L.& de Cosson, Alex (Eds.). (2004). A/r/tography: Rendering self through arts based living inquiry. Vancouver, BC: Pacific Educational Press
ISBN: 1895766702

Pendergast, M., Leggo, C. & Sameshima, P. (Eds.) (2009) Poetic Inquiry: Vibrant Voices in the Social Sciences. Netherlands: Sense.
ISBN: 9789087909499

Richmond, S. & Snowber. C. (2009/2011). Landscapes in Aesthetic Education. Newcastle, England: Cambridge Scholars
ISBN: 1443813966

Knowles, G. & Cole, A. (Ed) (2008). The Handbook of the Arts in Qualitative  Inquiry: Perspectives, Methodologies, Examples, and Issues.  NY: Sage
ISBN: 14129053110

Garoian, C. (1999). Performing Pedagogy: Toward an Art of Politics. Albany, NY: State University of New York Press.

Chambers, C., Hasebe-Ludt, E., Leggo, C, & Sinner, A, (Eds).  (2012) A Heart of Wisdom: Life Writing as Empathetic Inquiry. NY: Peter Lang.
ISBN: 978-1-4331-1529-5

Graduate Studies Notes:

Important dates and deadlines for graduate students are found here: http://www.sfu.ca/dean-gradstudies/current/important_dates/guidelines.html. The deadline to drop a course with a 100% refund is the end of week 2. The deadline to drop with no notation on your transcript is the end of week 3.

Registrar Notes:

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS