Spring 2022 - CA 353 D100

BlackBox Performance (4)

Class Number: 7691

Delivery Method: In Person

Overview

  • Course Times + Location:

    Jan 10 – Apr 11, 2022: Tue, Thu, 2:30–5:20 p.m.
    GOLDCORP

  • Prerequisites:

    CA (or FPA 253), or prior approval.

Description

CALENDAR DESCRIPTION:

Students continue playmaking research through the creation of an ensemble-generated series of public presentations. Integrates and implements the techniques acquired in studio courses. May repeat for credit.

COURSE DETAILS:

Students continue their research through the creation of an ensemble-generated series of public presentations. BlackBox Performance (COLAB 2) provides directors, performers, writers, designers, and choreographers opportunities to collaborate and explore methods of composing devised performance within an ensemble. Drawing from the theme of Memory, explored in last fall’s CA253 Black Box Playmaking (COLAB 1), students will devise, rehearse and perform a triptych of works to be presented to an invited audience in February, March and April of 2022. Students will be given three to four weeks for each public presentation. During the rehearsal period, students will present their work-in-progress, in order to receive constructive feedback and guidance from the instructor.

This course encourages a landscape of lateral thinking, shared vocabulary, trial and error, innovation, where ideas and concepts can be discussed and challenged in a constructive environment. BlackBox Performance (COLAB 2) creates a working laboratory where students can choose to be inspired to work with, extant plays, new playwrights, a novel, an overheard conversation, an article in the newspaper, collective written text and/or from personal writing. As a collective, we will discuss, question and discover through rigorous exploration the relationship between movement, text, architecture, sound, light, site and design. We will investigate how an audience experiences a given work and how we can translate each project’s concept from a rehearsal room into a live performance.

BlackBox Performance (COLAB 2) combines techniques in creating devised live performance, building ensembles and the vocabulary of composition, improvisation, the language of cinema, the exploration of emotion, desire, movement and working in concert or in contrast with music.

BlackBox Performance (COLAB 2) will look at the process of writing as it relates to the development of the students' devised work, scoring, planning, research, project statements, methodologies, form, point of view, dialogue, characters, plot and editing.

Students will have the opportunity to incorporate props, costumes, video, sound, sets or new media as tools to create new innovative live performances. Students are encouraged to reach out to collaborators beyond their area and outside the School of Contemporary Art in creating their three works, thereby opening a dialogue of exchange for possible future collaborations.

COURSE-LEVEL EDUCATIONAL GOALS:

  • discuss, analyze, and apply the composition tools: their use and application as both a performer training tool and to create composition for the theater.
  • utilize a greater theatrical presence through listening skills and heightened body awareness.
  • attain kinesthetic awareness, group listening, strength, flexibility and freeing the physical instrument.
  • ability to perform, direct, design and create a physical performance on stage or site in space and time.
  • perform various warm-up exercises, stretches, and ensemble training and be able to lead rehearsals and ensembles.
  • experience in working with actors, building a character and physical performance using the training, improvisations, text analysis and research.
  • attain a greater understanding of ensemble work by creating, constructing and writing original material.
  • attain a greater understanding of source material, translating themes, novels and texts to create time-based work.
  • ability to create performance scores, create project proposals and to write clearly about the work generated in class.
  • the ability to conduct rehearsals, delegate and communicate with actors, designers and co-collaborators.
  • experience gained in writing original material, creating devised work, timemanagement and telling a story through light, sound, text, music, new technology and movement.
  • a greater knowledge of creating, navigating and encouraging a positive working environment made of discipline, rigor and a shared vocabulary of performance.
  • understand the value, discipline and focus it takes to create new innovative work.

Grading

  • Participation, attendance, engagement, positive work ethic, knowledge of vocabulary, collaboration engagement 20%
  • Articulation of research and process / project documentation of scores / project proposal / writing / website 20%
  • In class progress showings, ability to experiment, adjust and apply constructive criticism within the work 25%
  • Final Presentations (Three showings: includes research, writing, rehearsals, technical rehearsals, performance) 30%
  • Visiting Artist attendance and participation 5%

NOTES:

*Special Note: Please expect to rehearse outside of the class time for all in class progress showings. Please be aware there will be additional technical rehearsals and performance dates which will fall outside the class time.

*Anticipated Guest Artists /Desire Line Sessions: Site-Specific Theater Company, Begat Theater of France and the immersive theater company PunchDrunk. To be confirmed.

REQUIREMENTS:

  • Physical Training: we will be covering and utilizing the vocabulary of composition, improvisation, the language of cinema (close-up, medium shot, long shot and point of view), exploration of emotion, desire, movement and working in contrast or in concert with music. The course will cover elements of Viewpoints, visual art and dance - tempo, duration, kinesthetic response, repetition, shape, gesture (behavioral and gestural), architecture, spatial relationship, topography - and apply these to composition as it relates to a text, body, design or theme.
  • Attire: Please come prepared to be physical and wear clothes appropriate for movement and ensemble work.

Materials

REQUIRED READING:

Source material, articles from the Memory Pavilion website provided prior to class start and ongoing research into the class theme on memory

The Viewpoints Book: – A Practical guide to Viewpoints and Composition by Anne Bogart + Tina Landau

Devising Theatre & Performance: Curious Methods (Leslie Hill & Helen Paris)

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

TEACHING AT SFU IN SPRING 2022

Teaching at SFU in spring 2022 will involve primarily in-person instruction, with safety plans in place.  Some courses will still be offered through remote methods, and if so, this will be clearly identified in the schedule of classes.  You will also know at enrollment whether remote course components will be “live” (synchronous) or at your own pace (asynchronous).

Enrolling in a course acknowledges that you are able to attend in whatever format is required.  You should not enroll in a course that is in-person if you are not able to return to campus, and should be aware that remote study may entail different modes of learning, interaction with your instructor, and ways of getting feedback on your work than may be the case for in-person classes.

Students with hidden or visible disabilities who may need class or exam accommodations, including in the context of remote learning, are advised to register with the SFU Centre for Accessible Learning (caladmin@sfu.ca or 778-782-3112) as early as possible in order to prepare for the spring 2022 term.