Chapter One of Enfoldment and Infinity: An Islamic Genealogy of New Media Art (2010)

Video of a 2010 lecture to the Humanities Institute, Simon Fraser University

A lecture at the 2008 conference "Returns of the Real" at the Universidade Federal de Rio de Janeiro, in the university journal Passagens

Keynote talk at "Connect, Continue, Create," third Deleuze Studies conference, Amsterdam, July 2010

An iteration of enfolding-unfolding aesthetics, published in Screen's 50th anniversary special issue, 2009.

in Place Studies in Art, Media, Science and Technology: Historical Investigations on the Sites and the Migration of Knowledge, ed. Andreas Broeckmann and Gunalan Nadarajan. VDG Weimar, 2008.

On atomism and the minimal part in the ninth and twentieth centuries. In Third Text special issue on Media Arts: Practice, Institutions and Histories, 2009.

Proximal sense experience may be a vehicle of knowledge, beauty and even ethics. In Paragraph, 2008, special issue on cinema and the senses, ed. Emma Wilson.

The first publication of the research that gave rise to Enfoldment and Infinity. Leonardo 39:1, February 2006.

On the humane atomism of Mohamed Soueid's Civil War trilogy. In Jump Cut, 2007.

In the age of hyper-mediation, how can we have our own experience? In Fluid Screens/Expanded Cinema, ed. Susan Lord and Janine Marchessault. University of Toronto, 2006.

The new cinema of the desert is set on the asphalt: on Arab road movies. Published in Landscape and Film, ed. Martin Lefebvre. Routledge, 2006.

An interactive essay produced in collaboration with designer Raegan Kelly in Vectors: Journal of Culture and Technology in a Dynamic Vernacular, 2006.

On cultivating non-verbal intellectual work in the university. In Intermedialités, 2005.

For a special issue of Camera Obscura on women and video, a study of creativity and constraints in contemporary videomaking in Beirut. 2003.