Summer 2021 - ENGL 840 G100

Studies in American Literature (4)

Class Number: 4597

Delivery Method: In Person

Overview

  • Course Times + Location:

    May 12 – Aug 9, 2021: Tue, 4:30–8:20 p.m.
    Burnaby

Description

CALENDAR DESCRIPTION:

Examines selected works of American literature in a variety of genres, organized by cultural movements, critical issues, theoretical approaches, or historical periods. May include works in various media, and explore relations between American and other national or regional literatures.

COURSE DETAILS:

Contemporary African American Poetry, Black Time, and that Longue Durée


Much of the most powerful contemporary North American poetry has come from African American poets engaging with the Black Lives Matter movement.  Because most Canadians, unlike English majors in the U.S. and elsewhere, receive little if any undergraduate training in African American literature, we’ll spend the first four or five weeks on an introductory, anthology-style overview of the African American poetic tradition, from Phillis Wheatley on through the New Negro Renaissance, the Civil Rights era, the Black Arts and adjacent movements, and the 80s-early 00s (Rita Dove, Natasha Trethewey) before focusing on the efflorescence of brilliant present-day poetry.  We’ll place this recent work in the context of longstanding questions of what African American poetry should be: the role of vernacular and dialect vs. “standard” American English; the use of jazz, blues, and hip hop rhythms and syncopations vs. “standard” meters; postcolonially-inflected questions of purity and hybridity; the remarkable reappropriation, even domination, of the sonnet—of all things!—in both Claude McKay and several contemporary poets; antitheses and syntheses among folk, regional, national, and cosmopolitan/diasporic visions of African American identity; and questions of audience.  One theoretical lens we’ll likely use is the emerging set of critical discourses around plantation modernity, black time, and black patience.  Finally, we’ll think about what the African American tradition and present moment might have to say to and for the politically-engaged Canadian poetry and poetics with which SFU has long been associated.

 

Grading

  • Zoom presentation on a critical work 10%
  • Zoom presentation on a single poem 10%
  • Final paper proposal 10%
  • Final paper draft 20%
  • Final paper revision 40%
  • Zoom participation 10%

Materials

REQUIRED READING:

Henry Louis Gates, Jr., and Valerie A. Smith, eds.  The Norton Anthology of African American Literature, 3rd ed.
ISBN: 978-0393911558

Claudia Rankine, Citizen: An American Lyric
ISBN: 978-1555976903

Claudia Rankine, Just Us: An American Conversation
ISBN: 978-1644450215

Jericho Brown, The Tradition
ISBN: 978-1556594861

Terrance Hayes, American Sonnets for My Past and Future Assassin
ISBN: 978-0143133186

Robin Coste Lewis, Voyage of the Sable Venus: and Other Poems
ISBN: 978-1101911204

Tracy K. Smith, Wade in the Water: Poems
ISBN: 978-1555978365

Graduate Studies Notes:

Important dates and deadlines for graduate students are found here: http://www.sfu.ca/dean-gradstudies/current/important_dates/guidelines.html. The deadline to drop a course with a 100% refund is the end of week 2. The deadline to drop with no notation on your transcript is the end of week 3.

Registrar Notes:

ACADEMIC INTEGRITY: YOUR WORK, YOUR SUCCESS

SFU’s Academic Integrity web site http://www.sfu.ca/students/academicintegrity.html is filled with information on what is meant by academic dishonesty, where you can find resources to help with your studies and the consequences of cheating.  Check out the site for more information and videos that help explain the issues in plain English.

Each student is responsible for his or her conduct as it affects the University community.  Academic dishonesty, in whatever form, is ultimately destructive of the values of the University. Furthermore, it is unfair and discouraging to the majority of students who pursue their studies honestly. Scholarly integrity is required of all members of the University. http://www.sfu.ca/policies/gazette/student/s10-01.html

TEACHING AT SFU IN SUMMER 2021

Teaching at SFU in summer 2021 will be conducted primarily through remote methods, but we will continue to have in-person experiential activities for a selection of courses.  Such course components will be clearly identified at registration, as will course components that will be “live” (synchronous) vs. at your own pace (asynchronous). Enrollment acknowledges that remote study may entail different modes of learning, interaction with your instructor, and ways of getting feedback on your work than may be the case for in-person classes. To ensure you can access all course materials, we recommend you have access to a computer with a microphone and camera, and the internet. In some cases your instructor may use Zoom or other means requiring a camera and microphone to invigilate exams. If proctoring software will be used, this will be confirmed in the first week of class.

Students with hidden or visible disabilities who believe they may need class or exam accommodations, including in the current context of remote learning, are encouraged to register with the SFU Centre for Accessible Learning (caladmin@sfu.ca or 778-782-3112).