Signal Path Overview (Film Sound)   

Signal Path
MICROPHONE
 
ACOUSTIC ENERGY 
rapidly changing air pressure
TRANSDUCER
(changes one form of energy into another)
ELECTRICAL ENERGY 
MICROPHONE
PREAMPLIFIER
(MICROPHONE)
(MICROPHONE LEVEL)
(FOUND IN RECORDER
OR MIXER)
IMPEDANCE 
(LOW - HIGH)
POLAR PATTERN: 
•CARDIOID 
•OMNI 
•SHOTGUN 
 
DYNAMIC
or
CONDENSOR
(NEEDS PHANTOM POWER)
REQUIRES A BALANCED CABLE 
USING XLR 3 PIN CONNECTORS
 
Signal Path
RECORDER
 
RECORDER SYNCHRONIZATION: TIME CODE PILOT TONE
(1) COMMON TIMEBASE (CRYSTAL, ETC.) 
(2) CABLE LINK 
(3) WILD 
(4) SAME MEDIA (VIDEO)
ANALOGUE SIGNAL WHICH CONTAINS TIME (LOCATION) AND OTHER (SMALL) INFORMATION TIMEBASE (SPEED) CORRECTION ONLY
ANALOGUE: 
NAGRA 
SONY WALKMAN PRO 
MULTITRACK 
VIDEO RECORDER
DYNAMIC PROCESSING: 
INPUT ATTENUATION 
MIC PREAMP 
COMPRESSOR 
LIMITER 
HI-PASS FILTER
DIGITAL: 
DAT 
NAGRA DIGITAL 
COMPUTER 
VIDEO RECORDER
METERING: 
VU METER 
PEAK 
MODULOMETER (NAGRA)
 
Signal Path
TRANSFER
 
RECORDER 
LINE LEVEL
 
ANALOGUE TO DIGITAL CONVERTOR 
USUALLY PART OF THE 
DIGITAL AUDIO WORKSTATION 
(COMPUTER) 
FILE
TIME CODE 
SAMPLE RATE (NYQUIST THEOREM
•DYNAMIC RANGE (QUANTIZATION
ALIASING 
QUANTIZATION ERROR 
 
SOUND DESIGNER II (SDII) 
AIFF 
.WAV (PC) 
ETC.
MAGNETIC FILM
MAY BE USED TO SYNCHRONIZE TRANSFER AND/OR TO LABEL MATERIAL FOR FUTURE REFERENCE FILE MANAGEMENT, FILE SIZE
 
 
Signal Path
MIXING
 
 
 
VIDEO SIGNAL 
(RATE)
AUDIO SIGNAL
TIME CODE 
- LONGITUDINAL (LTC) 
- VERTICAL INTERVAL (VITC) 
(LOCATES)
REFRESHER 
JAM SYNC
SYNCHRONIZER
SIGNAL PROCESSOR OR D.A.W. PLUG-INS/Various APPLICATIONS
DIGITAL 
AUDIO 
WORKSTATION
 
MODULAR DIGITAL MULTITRACK
S/PDIF (RATE) 
MTC (LOCATION)
WORD CLOCK (VIA CARD) 
MIDI/MIDI TIME CODE (VIA CARD OR EXTERNAL I/O) 
SCSI OR USB (COMPUTER) 
S/PDIF (VIA CARD) 
AUDIO (INTERNAL/BUILT-IN/EXTERNAL SOUND CARD) 
RS422 SERIAL (COMPUTER)