Signal Path Overview (Film Sound) | ![]() |
Signal Path |
MICROPHONE
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ACOUSTIC
ENERGYrapidly changing air pressure |
TRANSDUCER (changes one form of energy into another) |
ELECTRICAL ENERGY |
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(MICROPHONE LEVEL) |
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IMPEDANCE
(LOW - HIGH) |
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POLAR
PATTERN:
•CARDIOID •OMNI •SHOTGUN |
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REQUIRES A BALANCED
CABLE
USING XLR 3 PIN CONNECTORS |
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Signal Path |
RECORDER
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RECORDER | SYNCHRONIZATION: | TIME CODE | PILOT TONE |
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(1) COMMON TIMEBASE (CRYSTAL, ETC.)
(2) CABLE LINK (3) WILD (4) SAME MEDIA (VIDEO) |
ANALOGUE SIGNAL WHICH CONTAINS TIME (LOCATION) AND OTHER (SMALL) INFORMATION | TIMEBASE (SPEED) CORRECTION ONLY |
ANALOGUE:
NAGRA SONY WALKMAN PRO MULTITRACK VIDEO RECORDER |
DYNAMIC PROCESSING:
INPUT ATTENUATION MIC PREAMP COMPRESSOR LIMITER HI-PASS FILTER |
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DIGITAL:
DAT NAGRA DIGITAL COMPUTER VIDEO RECORDER |
METERING:
VU METER PEAK MODULOMETER (NAGRA) |
Signal Path |
TRANSFER
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RECORDER
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ANALOGUE TO DIGITAL CONVERTOR
USUALLY PART OF THE DIGITAL AUDIO WORKSTATION (COMPUTER) |
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TIME CODE
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•SAMPLE RATE (NYQUIST
THEOREM)
•DYNAMIC RANGE (QUANTIZATION) •ALIASING •QUANTIZATION ERROR |
SOUND DESIGNER II (SDII)
AIFF .WAV (PC) ETC. |
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MAY BE USED TO SYNCHRONIZE TRANSFER AND/OR TO LABEL MATERIAL FOR FUTURE REFERENCE | FILE MANAGEMENT, FILE SIZE |
Signal Path |
MIXING
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TIME CODE
- LONGITUDINAL (LTC) - VERTICAL INTERVAL (VITC) (LOCATES)
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REFRESHER
JAM SYNC |
SYNCHRONIZER |
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![]() MODULAR DIGITAL MULTITRACK |
S/PDIF (RATE)
MTC (LOCATION) |
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WORD CLOCK (VIA CARD)
MIDI/MIDI TIME CODE (VIA CARD OR EXTERNAL I/O) SCSI OR USB (COMPUTER) S/PDIF (VIA CARD) AUDIO (INTERNAL/BUILT-IN/EXTERNAL SOUND CARD) RS422 SERIAL (COMPUTER) |
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